Big Band Caravan

Jason Hainsworth Big Band / DePaul University Jazz Ensemble / Big Band Ritmo Sinfonica Citta di Verona / Howard University Jazz Ensemble

By
JACK BOWERS,
Jack Bowers

Jack Bowers

Senior Contributor since 1997

A former newspaper writer / editor who has been writing about big-band Jazz for more than fifteen years.

Recent articles (1,750 total)

Published: June 10, 2009

The opening movement, "Arrival," one of the two briefest at 5:16 ("Departure" runs 5:46), evolves slowly, almost esoterically, with various nature-like sounds preceding its Mingus-inspired theme and plain-spoken solo by trombonist Brian DryeBrian Drye Brian Drye
b.1975
trombone
that evolve seamlessly into "Cycle of Life," another placid theme encompassing a spiraling solo by either Ben Kono or Jason RigbyJason Rigby Jason Rigby
b.1974
sax, tenor
on clarinet and a group discourse by Jentsch, tenor Mike McGinnis, trumpeter Mike Kaupa and trombonist Jacob Garchik. Again, the special effects, devised, one assumes, to exemplify the sounds of nature, are ever-present.

"Home and Away" offers basically more of the same, its graceful melody ushered in by the rhythm section to enhance compliant solos by Rigby (on alto) and trumpeters Kaupa and John CarlsonJohn Carlson John Carlson

trumpet
. "Old Folks Song" saunters along in a similarly temperate vein behind apposite statements by Jentsch, Kaupa and drummer John Mettam. "Route 666," as noted, generates some heat to inflame solos by Jentsch, Kaupa and Dan WillisDan Willis Dan Willis

saxophone
' strident tenor before Jentsch renews the Mingus theme on "Departure," once again showcasing Drye's supple trombone, this time muted.

Even though coherent and well-planned, Jentsch's Cycles Suite may be "suiter" to some ears than to others, more than likely to those who are indispensably attuned to contemporary as opposed to customary big-band Jazz. It is recommended warmly to them, while those who relish Basie, Kenton, Herman and their kindred are advised to look elsewhere.

The Oster / Welker Jazz Alliance
Shining Hour
Jazzed Media
2009

Shining Hour backed uneasily into this space in spite of the fact that it isn't really a big-band session. Jeff Oster, who sings on every number, is backed by groups ranging in size from tentet to trio (and by guitarist Ron VincentRon Vincent Ron Vincent
b.1951
drums
alone on "Young and Foolish") with all the arrangements by trumpeter Peter Welker.

The result is on the whole pleasant enough but this listener found himself paying more heed to the charts and soloists than to Oster, not an auspicious sign for what is essentially a vocal showcase. That's not to imply that Oster is less than capable; the stumbling block, to these ears, is that he is no more than that. Scott Yanow, in his liner notes, says Oster's voice "has been compared to Mel TormeMel Torme Mel Torme
b.1925
vocal
, and I can hear a bit of Chet BakerChet Baker Chet Baker
1929 - 1988
trumpet
in his sound." I can hear neither. His amiable tenor sounds entirely like Jeff Oster, as does his phrasing. Not that there's anything wrong with that.

The choice of material is generally pleasing, with tracks 7-10 comprising four of this reviewer's best-loved songs: "Young and Foolish," "Speak Low," "My Shining Hour" and "My Foolish Heart." Dizzy's "Groovin' High" and Toots ThielemansToots Thielemans Toots Thielemans
b.1922
harmonica
' "Bluesette" are also admirable, easily outdistancing Ronnell BrightRonnell Bright Ronnell Bright
b.1930
's "Sweet Pumpkin," Leon RussellLeon Russell Leon Russell
b.1942
piano
's "This Masquerade" and Oster's lone original, "Bean" (sans lyric, only scat).

In the end, however, it is Welker's evocative charts that earn one's unreserved applause, along with eloquent solos by altos Andrew SpeightAndrew Speight Andrew Speight

sax, alto
, Jim Rothermel and Fred LipsiusFred Lipsius Fred Lipsius
(who adds a handsome piano solo on "My Foolish Heart"); tenors Roberts BrothersRoberts Brothers Roberts Brothers
, Scott PetersenScott Petersen Scott Petersen

saxophone
and Mel MartinMel Martin Mel Martin
b.1942
saxophone
; pianists Lipsius, Matt Clark and Dave Mathews; guitarist Vincent, bassist Chris Amberger and drummer Kevin Dillon. Welker solos once, on flugelhorn, on Johnny MandelJohnny Mandel Johnny Mandel
b.1925
arranger
's "A Time for Love." Others may find Oster's vocals more congenial, in which case they would certainly deem this a Shining Hour worth spending in his company.


Tracks and Personnel

Kaleidoscope

Tracks: I Concentrate on You; It's Right There; When I Fall in Love; Alone Together; Matriarch; Marchienne; Something Stolen, Something Blue.

Personnel: Jason Hainsworth: composer, arranger, conductor, tenor sax; Tanya Darby, Dave Smith, Chris Winans, Alex Nguyen: trumpet; Thomas Barber: trumpet, flugelhorn; Sharel Cassity, Richard Miller: alto sax, flute; Peter Reardon Anderson, Will Reardon Anderson: tenor sax; Paul Nedzela, Frank Basile: baritone sax; Michael Dease, Joe McDonough, Robert Edwards: trombone; Max Seigel: bass trombone; Roger Lent: piano; Linda Oh: bass; Phil Stewart: drums. Special guests: Claudio Roditi: trumpet and flugelhorn (2, 4); Jon Irabagon: tenor sax (2).

Next Season

Tracks: A Felicidade; Every Day I Have the Blues; Desafinado; Lady Bird; Lester Left Town; Via Lyon; Wrong Place, Wrong Time; Goodbye, Mr. Evans; Boplicity; Next Season.

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