Take Five With E.J. Strickland
Meet E.J. Strickland:
Drummer E.J. Strickland is currently a member of the long-lived quartet of Ravi Coltrane (along with pianist Luis Perdomo and bassist Drew Gress), and his brother Marcus Strickland's celebrated electric/acoustic quartets and trio.
E.J. also leads his own bands, The E.J. Strickland Quintet and The E.J. Strickland Project. His playing has been described as emitting "fields of cumulative energy, clouds of feather-touch and heavy-handed syncopations, latent with power like an oncoming storm" (Thomas Conrad, Downbeat Magazine).
Amongst his discography of over 25 album titles with various recording artists, his long-anticipated debut album In This Day (Strick Muzik) will soon be released in 2009.
Teachers and/or influences?
Teachers: Joe Chambers, Michael Carvin, Carl Allen, Ralph Peterson, Lewis Nash, and Jimmy Cobb.
Influences: Elvin Jones, Philly Joe Jones, Roy Haynes, Tony Williams, Jeff "Tain" Watts, Brian Blade, and many, many others.
I knew I wanted to be a musician when...
I saw my father play the drums at a neighborhood cookout. I was amazed at all of the different sounds and colors you can get from a drum set and cymbals. When I needed an elective subject to study in middle school, I chose music. At 12, I decided I wanted to do it for the rest of my life. It was too fun.
Your sound and approach to music:
I do my best to let the music I'm hearing back from the other musicians I'm playing with carry me and my ideas.
I've made up my mind: 90% of this music is listening. The music tells us what to do, whether it be volume, texture, dynamics, intensity, attitude, etc. As far as composing is concerned, I let the universe inspire me: poetry; rhythmic, melodic and harmonic ideas; my life; the people in my life; and more.
Your teaching approach:
My philosophy when teaching students is not to tell them exactly what to play, but to help them be resourceful in gathering inspiration for their own concept. I always ask them what they would like to learn, and I do my best to guide them with tools: exercises, practicing habits, etc. Other things I try to convey are ways to internalize music, rather than analyze music while they're playing.
Your dream band:
My dream band would consist of individuals who've all played with each other for some time, and who have E.S.P. with one another. No artists in particular, because I believe this can be achieved with any group of individuals who've played with each other for some time. But, the trick is finding a group who'll achieve this over a very short period of time. The Listeners (possible band name).
Road story: Your best or worst experience:
This experience is humorous, unusual, and worst all at the same time: I was in Europe with Ravi, on a train. Two members of the quintet went to have lunch in the diner car, while the rest slept, read, or listened to music. Hours later, the three of us who stayed woke up to customs officers in our face asking us about the other two musicians, confiscating our passports, and interrogating us thoroughly!! It turned out that the other two were in another country, because the train cars had separated at one of the stops. And, their passports were with us! When we finally reunited, it was hilarious, but during... :-(
I love you all! Please continue to provide artists with a place to develop and share our craft. But if I had to pick one, overall: The Jazz Standard [New York City]nice balance of good acoustics, excellent food, friendly staff, and beautiful atmospherenot to mention great audiences.
Your favorite recording in your discography and why?
The John Coltrane Quartet, Live at The Half Note. In addition to this being my favorite group and playing all of my favorite tunes from the group, this recording was made at the very highest plateau they've ever reached as a group. This kind of answers the earlier question about my "dream band."
The first Jazz album I bought was:
John Coltrane, Live at Birdland.
What do you think is the most important thing you are contributing musically?
My ears; my support; understanding; and dedication to my fellow band matesand, yes, I do mean musicallyI'm very proud of that.
Did you know...
...that I started on the trombone because I didn't have enough natural ability on the drums. I only started playing the drums six months later because I begged my band teacher and told him I work very hard and study with my father.
CDs you are listening to now:
- Jack DeJohnette, The DeJohnette Complex (Milestones Records);
- Various Artists, Rhythms of Life (Songs of Wisdom)Akan Music from Ghana, West Africaunknown to me;
- Cachete Maldanado, Cachete Maldanado Y Los Majaderos (SMG);
- Jean Baylor, Testimony: My Life Story (Be A Light);
- Cesario Evora, Miss Perfumado (Lusafrica)