Mynta: Meetings in India (2009)
Meetings in India features, among other delights, the historic meeting of India's Fazal Qureshi's "mouth percussion" and vocalist Kerstin Sonnback's revival of the lost art of kulning (Swedish herding calls) on "Ganglat Fran Laggars."
Guitarist Max Ahman is Swedish, but claims to have been greatly influenced by Irish music, giving vent to it on "Desert Jig." The album also boasts a Vietnamese Reggae (that's what it says), a samba and, last but not least, a tarantelle, "originally a Middle Ages dance that supposedly resulted from the bite of a poisonous spider." The words are those of its composer, reed player Dallas Smith, who hails from Reno, Nevada.
Mynta undoubtedly mean well. "The Dance Of Life," also composed by Smith, is "intended to take the listener from a peaceful dawn into the rising of the sun, and into a glorious day filled with joy and peace." These wordsthe composer's ownlend new meaning to that old aphorism about the road to hell being paved with good intentions.
Then there is the Cuban influence of fiddler Santiago Jimenez. Percussionist Sebastian Printz-Werner beats on a bewildering variety of instruments, including the African djembe, the Arabian darbouka and the South American cajon. The whole is underpinned by the frenetic rattling of Qureshi's tablawhen he is not, that is, performing with his mouth.
The heavy percussive emphasis tends to swamp all the diverse influences that make up the curious item that is Mynta, which is probably all for the better. Unfortunately, what is left is a polyrhythmic cacophony.
Track Listing: Absolute Samba; Meetings In India; Ganglat Fran Laggars; River Of Winds; Desert Jig; Adios Ferdinando; Gnodon; Vietnamese Reggae; Dark Days; Tarantelle; Seven And A Half; The Fine Line; The Dance Of Life; Tabla Chants; Rag Hindol.
Personnel: Fazal Qureshi: tabla, kanjira, mouth percussion; Dallas Smith: flute, soprano, clarinet, basuri; Santiago Jimenez: violin; Christian Paulin: electric bass; Max Ahman: guitar; Sebastian Printz-Werner: percussion, keyboards; Sridar Parthasarathy: mridangam (2); Kerstin Sonnback: vocals (3); Coste Apetrea: keyboard (3, 7).
Record Label: Prophone Records
Style: Fusion/Progressive Rock