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Music and the Creative Spirit

Peter Brotzmann Chicago Tentet: Bridging the Future with the Past

By Published: February 5, 2009
KV: I mean, I'm completely baffled by it and I wasn't completely aware of the first cycle and yet, here we come again. Some amazing things came out of that really powerful time and it seemed that, ok, maybe some changes could be made and yet here we are thirty-five years later in a similar place. In talking with Phil Wachsmann, he said that if you had asked him in 1968 if we could be where we are now, he couldn't have imagined it. He just couldn't believe that we had gone a hundred years backward instead of forward.And I also think that people who are frustrated globally are going to act out and its part of what you are seeing. Like Peter was saying, we are going to drop these bombs on this town, and that's the solution? There is a reason that this stuff is happening. And there needs to be an exploration. There is so much money involved and so much greed. I mean, what was our interest in Afghanistan and what is our interest in Iraq? It's oil. We are not para-trooping into other countries with more heinous dictators. There are so many political and economic things connected to Iraq that are transparent.



And I think what Paal was saying is true too. In the 60s,' some amazing creative and important things happened that I think helped support the idea that something could be better and I think that that's what is going to happen now too. And I think the concert last night is an example of that kind of action because it was about the possibility of something better. There was a line in one of the poems that said, "War will fail." And we are in the middle of a war. We're planting the idea or the concept that it isn't the way to go. Even for the few hundred people that were there last night, that's a positive action in a very dark time. And I think that those kind of creative actions are going to happen out of desperation of what we are faced with right now. It's not a time to be complacent. And it's not a time to say that things are ok because they are really not. And I think that that kind of thing can read through very important action on the positive side. Because there isn't room for just shrugging your shoulders and saying, "everything is OK."

The Peter Brotzmann Chicago Tentet:

Peter Brotzmann
Peter Brotzmann
Peter Brotzmann
b.1941
reeds
, Germany

Jahannes Bauer, Germany

Jeb Bishop, Chicago

Mats Gustafsson
Mats Gustafsson
Mats Gustafsson
b.1964
reeds
, Sweden

Per-Ake Holmlander, Sweden

Kent Kessler
Kent Kessler
Kent Kessler
b.1957
bass, acoustic
, Chicago

Fred Lonberg-Holm
Fred Lonberg-Holm
Fred Lonberg-Holm
b.1962
cello
, Chicago

Joe McPhee
Joe McPhee
Joe McPhee
b.1939
reeds
, New York

Paal Nilssen-Love
Paal Nilssen-Love
Paal Nilssen-Love
b.1974
drums
, Norway

Ken Vandermark
Ken Vandermark
Ken Vandermark
b.1964
saxophone
, Chicago

Michael Zerang, Chicago

Note from the author: The Peter Brotzmann Chicago Tentet is preparing to tour in Europe during the month of February. I cannot recommend critically enough the importance of the work and artistic creativity that is being performed by this group of artists. If interested, you can catch the Tentet at the following dates and locations:

2/17/09, LJUD, Arhus, Denmark

2/18/09, TOU Scene, NY Musikk/Stavanger, Jazzforum, Stavanger, NO

2/19/09, Victoria Scene, Nasjonal Jazzscene, Oslo, Norway

2/20/09, Victoria Scene, Nasjonal Jazzscene, Oslo, Norway

2/21/09, Victoria Scene, Nasjonal Jazzscene, Oslo, Norway

This interview first appeared in Lloyd Peterson's Music And The Creative Spirit (Scarecrow Press, 2006).


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