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Editor's Choice
Publisher's Top Picks for 2008
Michael Ricci
Lover of jazz, technology and sitting in a chair, Mick merged his three passions to create All About Jazz.It was another productive year for "Team AAJ" as we delivered some new features and upgraded several others across the website. We also beefed up our editorial staff to better manage the increasing number of contributors.
The programming staff (Mike Lorenz and myself) continued to build on our foundation that has firmly established AAJ as the nexus for jazz online. And the esprit de corps is stronger than ever as we forge ahead in 2009.
Last year's accomplishments ranged from subtle refinements to dramatic improvements and our impressive spike in traffic has kept us inspired and focused. Musicians have also encouraged us with their praise and suggestions. Thanks everyone!
2009 is already proving to be another exciting year. We're developing a new photo gallery, we're working on a streaming audio solution (so musicians can showcase their music), we're building a gathering place for students, and we're reviewing how best to deliver video.
Back to 2008 and the music.
I heard somewhere (NPR?) that 2008 wasn't a very good year for jazz music. That person and I are obviously not on the same service lists, as I was exposed to consistently strong efforts every day. From the thousands of CDs that arrived at AAJ HQ, here are some that received the most ear play. I highlighted some specific releases from Sunnyside Records as well as some standout vocal releases.
In no particular order...
 Rudresh Mahanthappa Kinsmen (Pi Recordings) Reviews |  Leonardo Cioglia Contos (Self Produced) Reviews |  Ulf Wakenius Love is Real (ACT Music) Review |
 Joe Locke Force of Four (Origin Records) Reviews |  Kurt Rosenwinkel The Remedy: Live at the Village Vanguard (ArtistShare) Reviews |  Nik Bartsch Holon (ECM Records) Reviews |
 Rob Mosher The Tortoise (Self Produced) Reviews |  Elephant9 Dodovoodoo (Rune Grammofon) Review |  Bobby Previte Set the Alarm for Monday (Palmetto Records) Review |
 Brad Mehldau Live (Nonesuch Records) Review |  Aaron Parks Invisible Cinema (Blue Note Records) Reviews |  Todd Sickafoose Tiny Resistors (Cryptogramophone) Review |
 Christian Scott Live at Newport (Concord Music Group) Review |  Brian Blade Season of Changes (Verve Music Group) Review |  Revolutionary Snake Ensemble Forked Tongue (Cuneiform Records) Reviews |
 David Sanchez Cultural Survival (Concord Picante) Reviews |  e.s.t. Leucocyte (ACT Music) Review |  Gonzalo Rubalcaba Avatar (Blue Note Records) Reviews |
 Matt Penman Catch of the Day (Fresh Sound New Talent) |  Bill Cunliffe The Blues and the Abstract Truth, Take 2 (Resonance Records) Review |  Ben Schachter Omnibus (Ben-Jam Music) Review |
Label Spotlight: Sunnyside Records
 Guillermo Klein Filtros Reviews |  J.D. Allen I Am I Am Review |  Fernando Huergo Provinciano Review |
Style Spotlight: Vocal
 Alyssa Graham Echo (Sunnyside Records) Review |  Rebecca Martin The Growing Season (Sunnyside Records) Reviews |
 Melody Gardot Worrisome Heart (Verve Music Group) |  Alison Ruble This is a Bird (Origin Records) Review |
More picks...
Marcin Wasilewski's January, Steve Turre's Rainbow People, Tom Tallitsch's Medicine Man, Roy Hargrove's Earfood, Massimo Biolcati's Persona, Avishai Cohen's Flood, The Wee Trio's Capitol Diner Vol. 1, Matt Jorgensen's Another Morning and Francisco Mela's Cirio.
And two very late 2007 releases well worth mentioning: Felipe Salles's South American Suite and Christof May's MAYGUS.
