This is a concept she's able to further explore through composing, a process she links to the abstract imagery of moving bodies. But words have also inspired. She recently completed a work called "City of Glass" a two-hour concert for the Copenhagen Art Ensemble based on texts of American author Paul Auster. "I started to hear melodies in his work," she said. "The rhythm in his writing is very musical." She has written over a dozen pieces for the 12-piece group, an ensemble that realizes Anker's objective of linking composed music with improvisation and she hopes to one day make a recording of "City of Glass". Though the studio expense seems nearly insurmountable, Anker isn't one to give up, in music or in the occasional obstacles of life. "She has a very immediate connection to her intuitive faculties. And she trusts this connection," said Taborn. "She has an absolute conviction and faith in the process of improvisation and the ability of her deeper self to guide her through any circumstances."
Lotte Anker/Marilyn Crispell/Marilyn Mazur, Poetic Justice (Dacapo, 2000)
Lotte Anker/Craig Taborn/Gerald Cleaver, Triptych (Leo, 2003)
Mokuto, Message for the Errand Boy (Ninth World Music, 2003/2005)
Lotte Anker/Craig Taborn/Gerald Cleaver, Live at the Loft (Ilk Music, 2005)
Lotte Anker/Sylvie Courvoisier/Ikue Mori, Alien Huddle (Intakt, 2006)
Henriette Groth/Lotte Anker, Du Fugl (ILK Music, 2006-7)