Smooth jazz behind the delicate sounds of Joe Fuentes’ guitar color this session and offer a mild stimulant. The music includes background electric bass, additional guitars, keyboards, and programmed percussion; it’s music for relaxation, but with a powerful lead guitar wake-up call. The 35-year-old artist lives and works in San Francisco, where the jazz scene can still be heard going strong on any given night of the week. Overdubbing the accompaniment himself, Fuentes shows his versatility as bassist, pianist and drummer.
The demo disc provided by the artist consists of four originals with a carefree flavor and a hearty improvising guitar lead voice. Fuentes expresses with the pick in a manner that articulates sweetly, as the human voice does in most lyrical forms of music. The title track, "A Good Cup of Joe," offers Fuentes’ acoustic guitar as the lead voice with a jazzy backdrop including walking bass, drummer swinging the cymbals, and boppin’ horn effects from the keyboard. The recording is still in production and not yet available; but if the remaining tracks are anything like the title track, Fuentes’ third album will be a huge success. More information about the artist may be found at http://www.dnai.com/~fuentesj.
Track Listing
Slow Brew; After Dinner; Down Polk Street; A Good Cup Of Joe.
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Jim Santella has been contributing CD reviews, concert reviews and DVD reviews to AAJ since 1997. His work has also appeared in Southland Blues,The L.A. Jazz Scene, and Cadence Magazine.