FONT Music, The Paradox Trio/Bojan Z, Clean Feed Festival & The Fringe
Saturday 20th: Brooklyn tenor man Stephen Gauci's Basso Continuo involves the central concept of twinned basses (Ken Filiano, Mike Bisio) and no drums, with the leader and trumpeter Nate Wooley building the front firing line. Somehow, the delicacy of the quartet's interactions doesn't sound as enveloping as on last year's Ndidhyasana album, particularly as the basses sound quite thinly arrayed within the Theatre's hard environs. The horns dominate, with their stringent chatter, and the sonic confrontations within the band tend to have a negative effect on the communal result. Fortunately, Gauci helps matters along by being in a particularly concentrated state, throwing himself completely into the music. There's a different manifestation of power during Dual Identity's set. These guys are even harder, and before long Damion Reid's drumming style begins to batter on the cranium, trebly, cutting and militarily insistent. Around halfway though the set, the entire combo locks into a convoluted groove, and co-leader alto saxophonists Steve Lehman and Rudresh Mahanthappa begin a spiralling ascent, attempting to surmount each other's solos in a totally gripping fashion. This is funk complexity in the post Prime Time anti-tradition.
Sunday 21st: This is the night that FONT Music and Clean Feed unite, with a pair of trumpeters to the fore. The Empty Cage Quartet, from Los Angeles, features Chris Tiner (flugelhorn), joined by reedsman Jason Mears, bassist Ivan Johnson and drummer Paul Kikuchi. Their set is adequate, but is topped by that of Dallas trumpeter Dennis Gonzalez and Brooklyn bassman Rachlim Ausar-Sahu, who necessarily opt for a spacious, thoughtful dialogue, peppered with some of the festival's most mainstream moments. Effectively, this is the only unremarkable evening in Clean Feed's kinetic run.
Wednesday 24th: Bassist Sean Conly's Re:Action begin the evening in striking fashion boasting not only the fine horn thrust of trombonist Joe Fielder and saxophonist Michael Attias, the latter hefting his baritone with Herculean authority. All this, and their drummer is Pheeroan akLaff..! The only way to follow this combo is with the best presentation of this year's festival, delivered by the mighty Hellbent, a newish quartet led by tenor man Michael Blake. He has a dream line-up convened to play a brilliant set of compositions, employing an instrumentation which is hardly typical in the jazz sphere: Marcus Rojas (tuba), Charlie Burnham (violin) and Grant Calvin Weston (drums). This is a team of fierce individualists, embracing funk and abstraction, employing tuneful riff-themes and disemboweling solo tactics. There's an inspired confidence to their playing that lends the illusion of a casual engagement with the material. Burnham seethes with amplified power, stroking with liquid friction across his strings. Rojas is a buffeting presence, wobbling with great agility. Weston releases a storm of energy, completely uninhibited in his quest for the ultimate drum explosion. Clean Feed's Pedro Costa admits that he's not yet familiar with Hellbent, but it must be a certainty that there'll be an album on the label's prolific release schedules in the very near future.
The Cornelia Street Cafe
September 26, 2008