Home » Jazz Articles » Album Review » Ambrose Akinmusire: Prelude: to Cora
Ambrose Akinmusire: Prelude: to Cora
The Oakland, California-native generously shares the spotlight with his ensemble of like-minded collaborators. Pianist Aaron Parks, vibraphonist Chris Dingman, tenor saxophonist Walter Smith III, bassist Joe Sanders and drummer Justin Brown each bring a voice of distinction, leading the way for much of the session. Brown's beat-box-meets-Tony Williams fury on the opening "Dreams of the Manbahsniese" is a fascinating contrast to Akinmusire's flowing theme. Dingman is downright hypnotic on "Vibe Solo Intro" and "Aroca." Parks demonstrates imaginative solos and contributes the pop-influenced tune "Ghost Ship."
Although Akinmusire's trumpet playing is not the primary focus here, there is plenty of space allotted for the leader's acrobatic blowing. The spontaneity and forcefulness on "HumSong (Skidrow Anthem)" balances nicely with the more melancholic "Trumpet Intro/Dedication to Ruby." The young trumpeter's straight-ahead chops are showcased on Benny Golson's "Stablemates," performed as a duet with Parks.
Prelude: to Cora is so full of unbound creativity, it will be interesting to see what this emerging artist has in store for the jazz world.
Track Listing
Dreams of the Manbahsniese; Vibe Solo Intro; Aroca; HumSong (SkidRow Anthem); M.I.S.T.A.G. (My Inappropriate Soundtrack to a Genocide); Trumpet Intro/Dedication to Ruby; Ruby; Ghost Ship; Dingmandingo; Stablemates.
Personnel
Ambrose Akinmusire
trumpetAmbrose Akinmusire: trumpet; Aaron Parks: piano; Chris Dingman: vibes; Walter Smith III: tenor saxophone; Joe Sanders: bass; Justin Brown: drums; Logan Richardson: alto saxophone (5, 9); Junko Watanabe: vocals (1, 5, 7).
Album information
Title: Prelude: to Cora | Year Released: 2008 | Record Label: Fresh Sound New Talent
About Ambrose Akinmusire
Tags
PREVIOUS / NEXT
Ambrose Akinmusire Concerts
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.
