Parallels of Recovery: Melody Gardot Finds Inspiration in the Spirit of New Orleans
“ Musicians are the kind of people who, when you go through a hard time, you use it as a creative drive to pull forth to something that's better and stronger and more capable than you were before. ”
As a last alternative to the numerous pain medications that her doctors had prescribed, Gardot turned to music therapy. "I brought all of my medicine in and said, 'I really don't want to take any medicine anymore," said Gardot. "I was upset and frustrated. I had gotten very, very ill from the large amounts of medication I'd been given. I decided I would rather be healthy and in pain than sick and not," said Gardot.
Her doctor advised her to find something that makes her happy, and her mother suggested music. The doctor concurred. He believed that music would provide the best alternative, because in addition to the ephemeral joy that music brings to the participant, music has the power to reconnect neural pathways in the brain and can facilitate improvements in cognitive function.
Four years later, Ms. Gardot has a critically acclaimed debut album on Verve Records and has toured the world sharing her talents.
There were many elements of her story that were well documented prior to our discussion. What I didn't know was that she had visited New Orleans some eighteen months earlier to participate in the post-Katrina recovery. Of course, her duties were limited to light-handed activities such as painting. As a native New Orleanian, this writer is humbled by the legions of people who have come forward to participate in the recovery effort. The fact that someone so recently affected by such traumatic physical challenges would lend a hand is simply overwhelming.
Yet, Gardot echoed the sentiments of many of the other recovery volunteers regarding their visit, namely that they get back as much as they give. The parallels between her comeback and the New Orleans recovery were striking. "I went down about a year and a half ago to New Orleans to rebuild houses," she said. "It struck me because, much like the situation that I went through, you as an individual have your own take on anything. And the city of New Orleans has its own take on what happened through the last few years. No matter who's telling the story, it's never truly portrayed as well or as personally unless it was you who sat down in a room when it actually happened."
"In walking into the city of New Orleans, I was a bit blown away by two things actually," she recalled. "Number one, the amount of complete destruction that ripped through the city. And number two, the spirit of the people despite that. Amazing spirit. There was no one that I met who had a sense of pity. That to me was the spirit of New Orleans."
"As a city that is so enriched and touched by music, it made sense," she added. "Musicians are the kind of people who, when you go through a hard time, you use it as a creative drive to pull forth to something that's better and stronger and more capable than you were before."
Gardot vividly recalled her visit to some of the most devastated areas of the city and a message she saw painted on one of the houses. "One woman, two children, and one dog found dead under house," she said. "Just seeing the words on the face of the house, I can't explain to you what that felt like. I never thought language could feel so physical. And yet when I finally got to a place where people were, that devastation really wasn't in their eyes."
"It just surprised me how quickly they picked up and made it their point and their goal to just continue on with not like a heavy weight on their back, but with a sense of joy and a sense of 'We're going to continue on despite this."
"That was something I related to," said Gardot. "I had a car blow through my energy and my life, and you guys had a gigantic force of nature. I have the minute parallel."