Trio 3: Wha's Nine (2008)
At the penultimate set of their four-night stand at Birdland in late Julya simultaneous CD release and 20th anniversary celebrationthey performed several compositions from the disc and, as with the CD, opened with Eric Dolphy's "Gazzelloni." On the live CD, the tune functioned as both sound check and warm-upthe liners describe the group's arrival after the publicized show time due to airline strikes and flight delaysthough the immediate three-way intensity belied any jetlag or rustiness. Live at Birdland, Trio 3 was wonderfully complemented by pianist Geri Allen (only two pianistsIrene Schweizer and Andrew Hillhave ever performed with the group), whose punctuations served as an effective foil to Lake's sudden intervallic leaps and maintained Trio 3's greatest strength: balance between structure and freedom, composition and improvisation.
Workman plays a central role as set-up man and indeed the bassist's best and most experimental playing is arguably with this group; on Curtis Clark's "Amreen," which followed "Gazelloni" in both Paris and New York, he amazed with an unaccompanied pizzicato solo that sounded more like a bass duet. The same can be said for Lake, whose distinct tone floats then flutters in lyrical and rhythmic fashion and Cyrille, who lightly bounces odd rhythms from his kit, with exclamatory bass drum kick or slashing cymbal where you'd expect neither.
Trio 3's collective development finds each member commonly orbiting the others' contributions with empathy solidified over two decades. The expanded version with Allen is heard best on the Workman-penned title track, played on both live occasions. Its upbeat theme incorporates all the elements that make Trio 3with or without Allenone of the best small groups performingand recording (two more releases are due out by May 2009)today.
Track Listing: Gazzelloni; Amreen; ZC; Come on Home, Baby; Willow Song; Striation; Wha's Nine; Hasan.
Personnel: Oliver Lake: alto sax; Reggie Workman: bass; Andrew Cyrille: drums.
Record Label: Marge
Style: Free Improv/Avant-Garde