Home » Jazz Articles » Album Review » Mark Weinstein: Straight No Chaser
Mark Weinstein: Straight No Chaser
On Straight No Chaser, Weinstein conjures up a change of direction from his previous three albums. On Con Alma (Jazzheads, 2007), Cuban Roots (Bomba, 2006), and Algo Mas (Jazzheads, 2005), Weinstein was in full tilt Latin jazz mode with musicians including Romero Lubambo and Pedro Martinez. On O Nosso Amor (Jazzheads, 2006), the flutist showed his affinity for Brazilian music.
Straight, No Chaser is clearly a return to mainstream jazz, North American-style. What is most noticeable is the change of format, with the flutist now accompanied by a trio of veteransguitarist Dave Stryker, bassist Ed Howard, and drummer Victor Lewis. The tunes include an attractive mix of originals, jazz standards, and two from the Great American Songbook.
On Weinstein's "Blues for Janice," the melody line also gets a pick-up by Stryker, who contributes a Wes Montgomery-like solo. The Matt Dennis/Thomas Adair "Violets For You Furs," an overlooked standard, is given a refurbished ballad look which recalls the Herbie Mann-Bill Evans album Nirvana (Atlantic, 1961), despite the lack of piano on this date. In addition to tunes from Stryker and Weinstein, there are some intelligent performances of standards like Bronislaw Kaper's "Invitiation" (another reference to Herbie Mann's smoky flute), as well as a cover of Thelonious Monk's classic title tune.
Straight, No Chaser represents an impressive return to mainstream jazz from the versatile Mark Weinstein.
Track Listing
Loverin'; Miyake; Blues For Janice; Airegin; Shanti; Sleeping Beauty; Invitation; Violets For Your Furs; Straight,No Chaser; Crianza.
Personnel
Mark Weinstein
fluteMark Weinstein: flutes; Dave Stryker: guitars; Ed Howard: bass; Victor Lewis: drums.
Album information
Title: Straight No Chaser | Year Released: 2008 | Record Label: Jazzheads
About Mark Weinstein
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







