2008 Melbourne International Jazz Festival
Polish legend Tomasz Stanko's quartet followed a sleepy opening set by ECM labelmate pianist Tord Gustavsen's trio at the grand Hamer Hall. The trumpeter's dark low-end register masteryhis personal musical stamp over many decadesovershadowed his own longtime trio's tendency to provide more foundation than interactive inspiration, as was more commonly heard with such past collaborators as pianist Bobo Stenson and drummer Tony Oxley. Their repertoire included pieces from some of the group's previously released recordings, such as Lontano's title track (also from that album"Trista" and "Song For Ania"), and Leosia's "Euforila." His "Requiem" (in dedication to his past colleague Krzysztof Komeda), a set highlight, represented a segment of an extended suite partially notated, and partially improvised.
An expected festival highlight, even with yet another example of a disappointing house mix, was played by the Aussie trio of saxophonist Jamie Oehlers, pianist Paul Grabowsky and drummer Dave Beckcollectively known as Lost And Found. With the piano dominant at the Palms at the Crown, the group's intense drive was certainly and unfortunately compromised, particularly Oehlers' inspiring improvisations. It would have raised the music entirely to another level had the sound man been a bit more sensitive to this band in the Las Vegas-like showroom which donned a stage and sound system perhaps better suited to Tom Jones and some Vegas showgirls with its unrelenting and ultimately distracting light show. To better hear this group, their new self-entitled CD on Jazzhead is highly recommended... and well mixed!
And at the same venue, the festival culminated with American drummer Cindy Blackman's high-energy performance. At an early juncture, she kicked off the bass drum on several occasions, unrelentingly playing on while a stage crew member tried desperately to fix it. Unphased, the leader's kinetic force was spurred on by her quartet, too: JD Allen (tenor), Carlton Holmes (electric keyboard and piano) and George Mitchell (whose bass was frequently lost entirely withyou guessed it, a poor house mix). Blackman predictably and primarily played drum-heavy numbers that served as extended solos; her polyrhythmic endurance pounces on a beat like a beach ball that never gets to touch the ground! Miles Davis' "No Blues" and a Wayne Shorter- like rendition of Herbie Hancock's "I Have A Dream" (from The Prisoner, Hancock's 1969 Blue Note recording) left jaws dropped, as did originals by Blackman ("The 10th Gate," "Insight" and "All I Want") and Allen ("Peebow's Vibe," "Sampei" and "Mudeeya"). As a result, her near two-hour set finale left most festival-goers exiting on a high that replaced any frustrations about this year's fest.
Melbourne Jazz Festival (dancers) at Fed Square by Mark Peterson
l-r: Sam Anning, Stafford Hunter, Cleave Guyton at Bennett's Lane by Laurence Donohue-Greene
Aaron Choulai Sextet at the Edge by Laurence Donohue-Greene
Jon Weber at The Edge by Laurence Donohue-Greene
Julien Wilson and Kurt Elling at The Regent by Mark Peterson
Lost and Found at The Palms by Mili Wijerante
Cindy Blackman at The Palms by Mili Wijeratne