Home » Jazz Articles » Album Review » Ken Peplowski: Grenadilla
Ken Peplowski: Grenadilla
Ehrlich and Peplowski work with the piano trio on three pieces. "The Soul in the Wood" is particularly interesting because of its dramatic mainstream mood. It is Ehrlich's composition, and is driven by a firm piano bass line, doubled bass, and unison bass clarinet. It features Peplowski's imaginative clarinet along with a fine piano solo and well-planned ensemble counterpoint.
Peplowski and Alden have collaborated on nearly a dozen albums including their Concord Duo Series, Volume Three. The sensitive interplay on "Cry Me a River," as they trade lengthy solo sections, is at the very heart of jazz empathy and serves to remind us that an artist should always strike a balance between individuality and working with his teammates. Ben Aronov's "`Bye" and "Palisades" are presented by the pared-down ensemble of clarinet with piano trio. It's a chance to appreciate the delicate and lyrical nature of Peplowski's solo voice along with individual spotlights on each member of his straight-ahead quartet. Highly Recommended.
Track Listing
Benny's Pennies; Voce e Eu; Copi; 'Bye; The Reconsidered Blues; Variations; The Soul in the Wood; Palisades; Indian Summer; Farewell Blues; Cry Me a River.
Personnel
Ken Peplowski
woodwindsBen Aronov
pianoGreg Cohen
bass, acousticChuck Redd
vibraphoneHoward Alden
guitar and vocalsScott Robinson
saxophone, tenorJ.D. Parran
woodwindsMarty Ehrlich
woodwindsKenny Davern
clarinetAlbum information
Title: Grenadilla | Year Released: 1998 | Record Label: Concord Music Group
About Ken Peplowski
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







