Home » Jazz Articles » Album Review » Miguel Fernandez-Vallejo: El Perro
Miguel Fernandez-Vallejo: El Perro
ByThough one has a lighter tone and an almost Websterian breathiness on occasion and the other has a harder edge, veering slightly more towards dissonance in his features, the two tenors inhabit similar territory. Inexplicably then, there is no differentiation as to who plays what, leaving me none the wiser as to their respective merits. Balcazar keeps things moving insistently without crowding, and takes some delightfully lyrical solos. Del Val is stylish without being fancy.
A varied program, imaginatively arranged, sustains interest with this restricted palette, from the unhurried title track, with its introductory breath sounds and urgent tenor drifting into the higher registers, to "Equinox - Silent Walk," with its martial beat juxtaposed against a mournful theme. On "Bad-Dream" the group is augmented by flute and vibes for an exploration of pastel shades. "Escrich Sobre Schoenberg" is the drummer's tune and closes the album on a funky note, drawing the most animated solo of the set from one of the tenors, but fading out just as he builds a head of steam. In all a solid set for those who like their jazz tasteful and lyrical.
Track Listing
El Perro; Los Colores de la Ambiguedad; Love Song for my Father; Iberian; Equinox - Silent Walk; Bad-Dream; Lo Llaman Amor; Escrich Sobre Schoenberg.
Personnel
Miguel Fernandez-Vallejo: tenor saxophone; Miguel
Album information
Title: El Perro | Year Released: 2008 | Record Label: Fresh Sound New Talent
< Previous
Daniel Smith: Bassoon Reaching New Pl...
Next >
Urban Mythology: Volume One