Cyrus Chesnut: Expounding on Elvis
In New York City with Hendricks, Chestnut enjoyed and learned from not only the gig, but also the music scene.
"I loved it at the time. I was able to hang out with some of the greats, able to go to a club and see Cedar Walton hanging out. George Coleman. All the cats, they used to just come and hang out. It was great just to go to a club, go and hear the music. Hear them play. Oh man, that was great! I miss those cats."
He did stints with Donald Harrison, Terrence Blanchard and Wynton Marsalis. In 1991, he started a job at the school of the great Betty Carter, long known for being a great placeeven if a bit scaryfor young musicians to learn. Like so many before and after, he too realized the benefits.
"That was like finishing school for me. In retrospect, it was very important for my development," he says. "She always challenged you. She always wanted me to think. Win people over with skill, not with gimmicks and tricks. She'd always say jazz is about finding out who you are. That takes work. I learned a lot from Betty. Not necessarily from what she saidshe didn't say much to me. I learned most from just watching her. I was there night after night where she would sit in front of some audiences that she was well known to. Also with audiences who didn't have a clue who she was. And in less than five minutes, she would have them in the palm of her hand. It was amazing."
He adds, "Everybody that I come in contact with, you learn either what to do or what not to do."
In 1993, he signed with Atlantic Records, releasing the critically-acclaimed Revelation. His recording career has been steady, both as a sideman and on his own works like The Dark Before The Dawn, Earth Stories, and Genuine Chestnut.
Chestnut's career has put him in with some of the finest players of the day. His trio is a major focus, but he can be found in various other settings. Last year alone, he did gigs with a Kansas City Blues revue headed by singer Kevin Mahogany and at times sat in the piano chair of the Dizzy Gillespie all-star tribute band, as he did at the JVC Jazz Festival in Newport, Rhode Island. To each of those setting, he brings an uplifting sound and feel. His music, no matter how intense, seems to have an underlying simple soul. And his ballads are thoughtful and reach out to the listener.
"Billy Higgins sat me down one time and said, â"ËœYou've always got to be able to see the dancer.' Whatever music you play, I believe it's got to dance. Whether it's a waltz, swing, groove or whatever; 5/4, 8/4, 12/10, whatever meter, I believe the music must dance. I believe it must dance."
So Chestnut pushes on. He'll be playing Elvis music in 2008, but also other projects. "I just finished honing in this one show. It's called Sanctified Swing. I just recently presented it at the Kennedy Center. What it is, is jazz goes to church.
"It's been an interesting time. The legends who we've loved over the years are slipping away. It's hard to touch hands on them now. It's very sobering. The guard is changing so rapidly. I fight to keep a good outlook for the music, because I believe as long as the voice of freedom lives in the world, there will be jazz. You try to give honest performances and just keep working, keep working, keep working," he says, reflecting on today's music scene, not long after the death of Oscar Peterson.
"At this point in time, I just look forward to moving onward and upward. The legends I see, I can only imagine how they felt when they found out Bird had passed away. But they still had to keep going on. The torch keeps getting passed. The music must move forward. What direction it's moving, I can't tell you. But I know that it's moving."
He adds, "The horizon is very positive and I'm grateful for it. I'm just looking forward to more and more possibilities."
Cyrus Chestnut, Cyrus Plays Elvis (Koch, 2007)
Cyrus Chestnut, Genuine Chestnut (TelArc, 2006)
Elvis Costello, The Juliet Letters (Rhino, 2006)
James Carter/Cyrus Chestnut/Reginald Veal/Ali Jackson, Gold Sounds (Brown Borthers, 2005)
Cyrus Chestnut, You Are My Sunshine (Warner, 2003)
Carla Cook, Simply Natural (MaxJazz, 2002)
Cyrus Chestnut, Soul Food (Atlantic, 2001)
Cyrus Chestnut, A Charlie Brown Christmas (Atlantic, 2000)
Wynton Marsalis, The Marciac Suite (Columbia, 1999)
James Carter, In Carterian Fashion (Atlantic, 1998)
Cyrus Chestnut (Atlantic, 1998)
Bud Shank, By Request: Bud Shank Meets the Rhythm Section (Milestone, 1997)
Cyrus Chestnut, Blessed Quietness: Collection of Hymns, Spirituals and Carols Gospel (Atlantic, 1996)
Cyrus Chestnut, Earth Stories (Atlantic, 1995)
Cyrus Chestnut, Dark Before the Dawn (Atlantic, 1994)
Cyrus Chestnut, Revelation (Atlantic, 1993)
Betty Carter, It's Not About the Melody (Verve, 1992)
Cyrus Chestnut, Nut (Evidence/Alfa, 1992)
Photos courtesy of Cyrus Chestnut