Red Holloway: Legends of Acid Jazz: Red Holloway
Holloway builds spicy blues and muscular soul foundations then grinds out hard lines overtop. He seems to come out of Gene Ammons' bag. But he doesn't stray toward the sentimentality that Ammons was often fond of exploring. He stays hard and keeps it up. Likewise, Paul Serrano (in the Blue Mitchell role) is a good foil, Eric Gale adds a fuzzy edge to his Benson-isms and Patton, comping a la McDuff, solos with his own Patton-ted blues forcefulness. The nine Red Soul tracks dig deeper toward that club-groove Holloway perfected with the McDuff group. That's due mostly to the addition of guitarist George Benson – who's nothing less than wondrous in this bag. His solos are crisp, clean, uniquely twisted, sincerely delivered and, best of all, groove like nobody's business. All that talent and he's singing forgettable pop ditties now! Benson also is credited with five of the best groove numbers here. Lonnie Smith, who was part of Benson's combo at this point, is heard on organ in four of numbers.
Most noticeable, though, is the development in Holloway's sound evident on these tracks. He's just as bad on the groove, but he heads away from Ammons and toward his own more interesting vocabulary. All told, there are some great players here making great sounds playing serious party music. It's greasy. But, man, it satisfies. This one's a scorcher and it's worth hearing.
Tracks:Monkey Sho' Can Talk; Brethren; Crib Theme; The Burner; Miss Judie Mae; Moonlight in Vermont; Making Tracks; Movin' On; Good & Groovy; Get it Together; Big Fat Lady; Tear in My Heart; Eagle Jaws; I'm All Packed; The Regulars.
Personnel: Red Holloway: tenor sax; Paul Serrano, Hobart Dotson: trumpet; John Patton, George Butchka, Lonnie Smith: organ; Eric Gale, Charles Lindsay, George Benson: guitar; Leonard Gaskin, Thomas Palmer, Chuck Rainey: bass; Herbie Lovelle, Bob by Durham, Ray Lucas: drums.
Record Label: Prestige Records