Phil Miller - In Cahoots: Conspiracy Theories (2007)
This is not however to suggest that the music doesn't have its moments. The line of Miller's "Press Find Enter" has a quality that embraces both light and shade, and trombonist Annie Whitehead's solo seems to tease that quality out with equal measures of both joy and trenchant wit.
The broken time of "5s & 7s" has a similar stamp to it and the enhancements of Barbara Gaskin's minimal wordless vocal contribution and alto sax played presumably by Didier Malherbe lift it out of the realm of the polite and make it memorable.
"Orinaca" also has an individual air about it, not least as a result of Malherbe's work on ocarina. Keyboard player Pete Lemer's deft touch colors the line nicely and the result would fit nicely particularly within the Hatfields context.
Miller has always been a guitarist of distinction, and it's thus sad to relate that there are times here when it's like he's absent from his own disc. On the Weather Report-like "Flashpoint," bassist Fred Baker gets his turn in solo and underscores that comparison with a display of Pastorius-like dexterity. For all of Baker's formidable technique the listener might just be left wondering what Miller would have made of the opportunity had he taken it himself.
On the lengthy "End Of The Line," Miller does come out of the ensemble for one and it's like the sun coming out on an otherwise cloudy day. All the hallmarks of his work are still in placehis idiosyncratic phrasing, his sense of economy, before the demands of a fusion idiom in which technical precision and 'correct' virtuosity are of overriding importance seem to regain the upper hand.
Overall, the old one about those who like this sort of thing really liking this sort of thing applies here.
Track Listing: Conspiracy Theories; Press Find Enter; Flashpoint; 5s & 7s; End Of The Line; Freudian Triode; Orinaca; Crackpot; Lydiotic.
Personnel: Phil Miller: guitar, synth guitar (1-9); Pete Lemer: keyboards (1-9); Fred Baker: bass (1-9); Mark Fletcher: drums (1-9); Simon Finch: trumpet, flugelhorn (2-4, 8, 9); Annie Whitehead: trombone (1, 2, 4 6, 8, 9); Didier Malherbe: soprano sax, alto sax, flute, doudouk, ocarina (1, 2, 4-8); Simon Picard: tenor sax (1, 3, 4, 8); Doug Boyle: guitar (4); Richard Sinclair: bass (9); Dave Stewart: tuned percussion (4); Barbara Gaskin: vocals (4).
Record Label: Moonjune Records
Style: Fusion/Progressive Rock