Jane Monheit: Surrender Brings Victory
AAJ: What's your favorite song on Surrender?
JM: I really love the way the whole album came out, but if I had to pick a favorite I'd probably pick "Overjoyed, with "Caminhos Cruzados a close second. If I had to pick one tune that I would want to skip ahead and listen to it's "Overjoyed.
AAJ: Let's say you could do a duet with anyone living now and any artist that has passed away. Who would you choose?
JM: I'd like to do something with Take 6. That would be amazing. As for someone who's not around...why, Frank Sinatra! That would be like the swinginest. That would be a total lesson in swinging. We'd have a nice drink afterward and I'd get to hang out with Frank and The Rat Pack. That would be fabulous.
AAJ: Reading from your Wikipedia entry, in the first paragraph it says, "Jane Monheit is considered by some to be one of the most promising American jazz vocalists of her generation, and by others to be more of a cabaret/Broadway style singer and not really a jazz singer at all. What's your reaction to that?
JM: I really can fit into both categories though I don't do cabaret shows. I used to dabble in it because it was kind of required for a New York singer. There's a lot of great clubs you can't play if you're not doing that but honestly, when I play those clubs now, we're playing jazz.
A lot of people say I'm a pop singer too, in the traditional sense. All of these are just facets of my musical personality. I grew up on bluegrass and I can sing that stuff too. I'm just a singer and I write good songs and I'm deeply influenced by jazz and I chose to start out with the Great American Songbook because that's what I was feeling at the time.
That's always going to be the case for me, but there's so much more out there. If I had to do just one thing forever I would probably pass out from boredom.
AAJ: Let's kick the can down the road five years from now. The year is 2012. What is Jane Monheit going to sound like then?
JM: I just want to cover the spectrum. All of my albums will have a core in jazz. There will be albums that are really traditional and albums that are more Brazilian-themed or Broadway or with a folk edge to them. I'm sure I'll be doing all kinds of things. I just can't imagine what path they'll take. I tend to go through these obsessions where it's just one thing for a long time and right now it's been Brazilian music for a couple of years. I see no end in sight and we'll see what comes next.
AAJ: Are you thinking you might want to record an entire album of Brazilian music?
JM: Oh, absolutely. But when I do it there's a certain way I want to do it. I want to go down to Rio and record there. Possibly do it live. Do a lot more in Portuguese and record it with a lot of musicians I know down there.
I'm going to wait until the time is right and really do it the right way.
AAJ: Do you speak Portuguese?
JM: I don't yet. I obviously understand a lot of it from singing the language. I understand a lot of it written, but I can't hold a conversation with someone yet. I just bought a program to learn it so I'm going to be working on that while I'm on the road. I meet so many people from Brazil now at the shows and I can't talk to them.
AAJ: In season five of American Idol, the runner-up, Katherine McPhee did a version of "Over the Rainbow, using your version of the introduction. Were you flattered by that and as a singer what do you think of a show like Idol?
<JM: There have been some really good voices to come out of American Idol. I'm a big fan of Kelly Clarkson. The girl can sing. No question about it. She's got an amazing instrument. But I don't watch the show. When the thing happened with Katherine McPhee everybody and their mother came out of the woodwork to tell me about it. I guess she didn't announce on the show that it was mine and there was a huge ruckus. "Oh, she's doing your arrangement. Whatever. It was a whole thing. But honestly I didn't pay much attention to it because I don't watch the show.
I guess it's a good thing for helping some really genuinely talented kids to get out there in the world where it's impossible to get started. On the other hand, I don't know how much I can get behind it when there are so many incredibly hard-working musicians busting their butts that didn't get that kind of chance. It's a weird thing.
AAJ: On the outside chance you were invited to be a celebrity judge on American Idol what would be your advice to the aspiring singers?
JM: I'd tell them to learn music if they didn't already. Don't sing by ear and don't let their pianist do it for them. Learn music and have the same exact knowledge as all the instrumentalists have. You need it. It's absolutely necessary and there are so many singers who don't operate from that place. I don't understand how they're making it. Whenever people ask me for advice for singers that's the first thing that I say.
Jane Monheit, Surrender (Concord Music Group, 2007)
Jane Monheit, The Season (Epic, 2005)
Jane Monheit, Taking A Chance on Love (Sony, 2004)
Jane Monheit, In the Sun (N2K, 2002)
Jane Monheit, Come Dream With Me (N-Coded, 2001)
Jane Monheit, Never Never Land (N-Coded, 2000)
Randee St. Nicholas