Joshua Redman: Takes On The Challenge of the Trio
As far as my Dad, I asked him to play a tune on my next record. I wasn't sure what he was going to say. Every time we played together before this, it was always, as it should have been, in one of his projects, in his band or on his record. I didn't know what he was going to say, but he said yes. At that point I asked Joe and Chris and they both said yes.
AAJ:That has to be one of the last recordings your father made.
JR:Yeah. I don't know that he did another recording after that. He recorded that in the middle of May  and passed away very early in September.
AAJ:I know he was still out playing.
JR:Yeah, he did some gigs. I don't know that he went into the studio after that. It was the last time that we played together. It was the first time we recorded together for over ten years and the first time we played together for, I think, five. It was the last time we recorded together and played together and actually the last time I saw him until right before he passed away.
AAJ:Those two songs must have a special feel for you.
JR:Yeah. "India, that was the tune we were supposed to do. I came up with an idea for a simple arrangement that I thought would be nice for us to play together. I was really happy with the way it turned out. We both had a lot of fun. It was nice to play a Coltrane tune, which was appropriate. I really liked the interaction that happened between us.
That's true with all the saxophone players. I really tried to structure the tune so it wasn't really just about two tenor players playing a bunch of tenor player stuff. I really wanted each song in a different way, in its own way, to feel like a conversation. That worked out really well with my Dad.
"GJ was kind of a surprise. He asked to record something without me. He did it one take. I wasn't even there. I stepped out of the studio. It's a dedication to his grandson, to my son, who was born in February (2006). He had met time one time, in April. So that song, originally, I didn't know what we were going to do with it. I didn't know if I was necessarily going to put it on the album. But after he passed away, it has a lot of significance and I thought it would be a nice coda.
AAJ:The disk sounds great. You have gigs with that format?
JR:I've got a gig in Boston coming up with Christian and Brian. Right after that I go to D.C. and play four nights with Larry and Ali, then in June I start touring with Reuben and Eric, so I'm actually gigging at different times with all three rhythm sections.
AAJ:Any idea about future projects?
JR: I haven't toured that much over the last year and a half. Mostly with the Jazz Collective and that's only been about a month and a half out of the year. So I want to focus on getting back out there with the trio and playing the music, and hopefully writing some new music.
I have a lot of ideas about future projects, but I kind of don't like talking about them until I start to do them. I try not to get too far ahead of myself. I try to be in the moment as much as possible.
Joshua Redman, Back East (Nonesuch, 2007)
SFJazz Collective, SFJazz Collective 2 (Nonesuch, 2006)
Joshua Redman, Momentum (Nonesuch, 2005)
SFJazz Collective, SFJazz Collective (Nonesuch, 2005)
Kurt Rosenwinkel, Deep Song (Verve, 2005)
Roy Haynes, Love Letters (Columbia, 2003)
Joshua Redman, Elastic (Warner Bros., 2002)
Yaya3, Yaya3 (Loma, 2002)
Joshua Redman, Beyond (Warner Bros., 2000)
Joshua Redman, Passage of Time (Warner Bros., 2001)
Joshua Redman, Timeless Tales (For Changing Times) (Warner Bros., 1998)
Chick Corea, Remembering Bud Powell (Stretch, 1997)
Joshua Redman, Spirit of the Moment: Live at the Village Vanguard (Warner Bros., 1995)
Joshua Redman, Moodswing (Warner Bros., 1994)
McCoy Tyner, Prelude and Sonata (Milestone, 1994)
Joshua Redman, Wish (Warner Bros., 1993)
Paul Motian and the Electric Bebop Band, Paul Motian and the Electric Bebop Band (Winter&Winter, 1992)
Top Photo: Marianne Hamann-Weiss
Bottom Photo: Ben Johnson