All About Jazz: The web's most comprehensive jazz resource

Serving jazz worldwide since 1995
All About Jazz: The web's most comprehensive jazz resource

Interviews

David Gilmore: Getting To The Point

By Published: January 6, 2007

AAJ: I just think everything I said before about a market here for your music goes double for the type of sounds you're going for with Kindread Spirits. There's a whole subset of bands doing the live electronica thing that have crossed over into that market, like the Disco Biscuits, Sound Tribe Sector 9 and the New Deal. Take that for whatever it's worth.

OK Dave..NOW comes the time in the interview where you must speak about your time with WAYNE. How'd that happen?

DG:I have to thank Will Calhoun for that. He recommended me.

AAJ: It's all about the word of mouth.

DG:Exactly. Wayne was recording in LA with Will and Marcus, and the way it was told to me, is that Wayne kept hearing guitar. He kept gesturing like he was playing guitar when they were playing the tracks back, so Marcus asked him if he was looking for some guitar on there and Wayne said, "Yeah. I think so . Will suggested me and Marcus had heard me play before so they called me and got me out there. Will originally called and said that Wayne was looking for a guitarist for gigging, so I sent a tape, with mostly Trilok's stuff. A week later, Wayne Shorter called me up! I mean, "Hello, this is Wayne Shorter. I said "huuuuuh!? I remember he said, "Yeah, man, y'know, you get to the point!

So I flew out there and spent a week out there overdubbing with him. The record was done, but he was rerecording the melodies, and they had me double a lot of them. Then Marcus Miller, the producer, proceeded to punish me. He kinda arranged things on the spot because there were no guitar parts written out. Marcus took stuff from the master score and had me play certain chords and chordal type melodies. You can hear it in some areas of the recording better than others. Mainly I'm doubling Wayne and interjecting some things in between. We did the tour later that year in the fall of '95. There were several incarnations of that band. Memories, man.

AAJ: How many dates ?

DG:We did about 20 in '95. In '96 we did a bunch of US dates with Jim Beard (keys), Alphonso (Johnson) and Rodney (Holmes), a European tour...that's when the tragedy happened with his wife (TWA Flight #800, July 17,1996)....after that we did Japan. Maybe like a 80 dates total. Then I played with him in '98 with Terry Lynn Carrington, Jim Beard and John Patitucci. We went to Japan and Brazil. And that was the last time I played with Wayne ... '98.. November. We were supposed to do the next record with me, Brian Blade and Christian McBride, who was with Joshua Redman at the time. We went out there and rehearsed, but it just never happened.

AAJ: Do you have any Wayne stories either funny or more serious, such as what you might have taken from his thing and applied to your own?

DG: Wayne stories...I mean I just like his spirit. I never met anybody or worked with anybody as calm and collected or as peaceful as him. He just has this center, man. And he's funny as hell.

I remember him saying onstage, "Have you ever played like you've never played before? Y'know, like the first time? Then he broke into this wild, free, very loose thing. Then he told me that Miles Davis said that before, to him, you know. He would do that, play very playful games on stage. His playfulness reminds me of a kid, just a beautiful spirit, a beautiful cat.

AAJ: So, musical direction didn't come in musical form. Miles was known for that.



comments powered by Disqus