Gypsy Schaeffer: Portamental (2006)
Lineups without a chording instrumenteg. piano or guitarallow groups more freedom, often making for a more elastic and freewheeling sound. On Portamental, Gypsy Schaeffer makes the most of the freedom, but still remains melodically engaging.
When you mention "pianoless quartet," the two seminal ensembles that most readily come to mind are baritone saxophonist Gerry Mulligan's groups with trumpeter Chet Baker; and Ornette's early groups with trumpeter Don Cherry. Gypsy Schaeffer dances back and forth on the borderline on that mainstream-Mulligan/freedom-Coleman spectrum, leaning in Mulligan's direction, with definite forays into Coleman territory. This recording varies from tune to tune, but to the cool, fluid Mulligan flow trades off with more frenetic and out-there interludes.
Freshness and spontaneity reign on Portamental. The tunes, all originals, find each band member taking up the pen, and the disc was recorded in one day last June. The music these four players made that day has an off-the-cuff, good-times feeling, with infusions of intensityI note, as I listen to the Chris Punis-penned "Ugly Hand," with saxophonist Voelker burning.
While the Mulligan and Coleman bands provide useful reference points, Gypsy Schaeffer really has an original approacha distinctive, modern-leaning sound all its own.
Track Listing: Under Construction; Mummer's Day; Faces in the Sand; Time Management; Sleep; Ponus Ridge; 01; Schemin'; Ugly Hand; Portamental.
Personnel: Andy Voelker: saxophones; Joel Yennior: trombone; Jef Charland: bass; Chris Punis: drums.
Record Label: Self Produced
Style: Modern Jazz