Home » Jazz Articles » Album Review » Ben Riley's Monk Legacy Septet: Memories of T

282

Ben Riley's Monk Legacy Septet: Memories of T

By

View read count
Ben Riley's Monk Legacy Septet: Memories of T
Thelonious Monk's place in jazz is quite intact. In addition to the archival efforts of his son, drummer T.S. Monk, plenty of players have overcome the intimidation factor that goes with tackling Monk's singular sound. The issue is not whether Monk covers appear with the same frequency as covers of Ellington or Armstrong; rather, it is whether these attempts follow Monk's lead, taking the music outside the box. Memories of T—the debut disc by Ben Riley's Monk Legacy Septet—serves up solid renderings of Monk masterpieces, with one major difference: Riley and trumpeter/arranger Don Sickler have taken the piano out of the equation altogether.

Sacrilege, you say? Well, it's not like it's never been done. John Patitucci's recent trio recording of "Evidence had no keyboards. Also, both Sickler (who invented this unique vision) and Riley (who played with Monk) have long personal and professional ties to the Monk family, so they possess the proper level of reverence for Monk's work; they just don't let that reverence get in the way of presenting eleven classics in a brand new light, substituting the piano with a four-horn front line.

Far from robbing standards like "Rhythm-A-Ning, "Green Chimneys and "Bemsha Swing of their integrity, the horns expand the music's possibilities. Monk's music wasn't just the melody; it was also the "comping —that is, the harmonic and rhythmic support he gave his fellow players. Monk kept his comping off-kilter, eschewing traditional structure to make the final product a little bit different. Sickler and his fellow front-liners take the paradigm to another level, adding power and drama in a style that evokes Mingus as well as Monk.

Cacophany is a constant right out of the gate, starting with the discordant horns on "Let's Call This, which lead to jumping solos by Sickler and guitarist Freddie Bryant. As with the original recordings, the fills make the tunes special, particularly the vibrant color they bring to "Straight, No Chaser ; one line is passed from guitar to trumpet to tenor to baritone so fast that you have to replay the sequence to understand what just flew by you. Jay Brandford's baritone acts as a second percussion instrument on the Monk coda "Epistrophy, and Bryant's solos (which give the proceedings a Grant Green gloss) become starker when placed against the explosive, frenzied backgrounds.

The genius of Monk lay in his ability to go far out on the limb without falling off. Riley and Sickler's twist on Monk takes Memories of T just as far out. Instead of falling, though, the music is buoyed by a divine pandemonium that takes the disc beyond mere repertory. Nobody can ever really speak for Monk, but I have to think he would have approved.

Track Listing

Let

Personnel

Ben Riley
drums

Ben Riley: drums; Don Sickler: trumpet; Bruce Williams: alto and soprano saxophone; Wayne Escoffery: tenor saxophone (1,2,4,6,7,9,11); Jimmy Greene: tenor saxophone (3,5,8,10); Jay Brandford: baritone saxophone; Freddie Bryant: guitar; Kiyoshi Kitagawa: bass (1,2,4,6,7,9,11); Peter Washington: bass (3,5,8,10).

Album information

Title: Memories of T | Year Released: 2006 | Record Label: Concord Music Group

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Tramonto
John Taylor
Ki
Natsuki Tamura / Satoko Fujii
Duality Pt: 02
Dom Franks' Strayhorn
The Sound of Raspberry
Tatsuya Yoshida / Martín Escalante

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.