Home » Jazz Articles » Album Review » Hamid Drake / Albert Beger / William Parker: Evolving Si...
Hamid Drake / Albert Beger / William Parker: Evolving Silence, Vol. 2
Like its predecessor, this album features four different perspectives: three original compositions by Beger and one free improvisation with Beger and Parker. The close musical affinity of the trio's membersand their religious, zen-like, egoless attitudeis still present, marking one of Beger's finest appearances on disc. With Parker and Drake's spiritual, modest playing and their openness and embracing compassion, there is no way but to take off. It's clear that Beger, in his body and soul, was ready for such an opportunity.
The opening track, the thirteen-minute "Evolving Silence," begins with an intense, two-minute duo segment with Parker and Drake, and only then does Beger add his percolating tenor sax and lead the trio through alternating themes. Beger leaves Parker and Drake for short, muscular interplay, and then brings this piece to a safe harbor. "Duo # 3," a free improv duet between Beger's alto flute and Parker bass, begins with Beger talking through his alto flute and ends as kind of a ceremonial tribal duet. "Funk Lacy" is indeed a sweeping rhythmic masterpiece.
The closing "Skies of Israel" is a beautiful and poetic piece that features restrained arco playing by Parker, gentle, crying lines by Beger, and spare and imaginative drumming by Drakesounding in these painful days like a humble plea for peace and humanism, in the same vein that this great trio explores throughout. Warmly recommended.
Visit Albert Beger on the web.
Track Listing
Evolving Silence; Duo # 3; Funky Lacy; Skies of Israel.
Personnel
Hamid Drake
drumsHamid Drake: drums, percussion; Albert Beger: tenor saxophone and alto flute; William Parker: bass.
Album information
Title: Evolving Silence, Vol. 2 | Year Released: 2006 | Record Label: Earsay
About Hamid Drake
Tags
PREVIOUS / NEXT
Hamid Drake Concerts
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






