The Bob Sneider & Joe Locke Film Noir Project: Fallen Angel

Perhaps the most well-known theme here is from Roman Polanski's Chinatown. John Sneider heralds the tune on the trumpet, carving a moody niche that contrasts with the brighter hue brought in by Locke on the vibraphone in swift, delectable patterns. When Sneider returns, he is on the up, balancing quick incantations with notes that flow and sweep, creating a warm ambience. Bob Sneider introduces the Latin rhythm of "A Farewell to Maria with a soft countenance on the guitar, then later gives it a pronounced character with his emphatic and colourful improvisation of the melody. The body, however, gets its muscle and tone from the other members of the band as they swing gently and sweetly.

Another classic, and one of the best here, is "Farewell, My Lovely. The arrangement draws the players into a vortex from which each spins and unravels a fascinating tale. The tone is melancholy, shaped by the soft swish of the brushes and a caress against the piano and vibes. The trumpet augments the brooding atmosphere, and in an ever-evolving landscape, the guitar adds counterpoint and the tenor saxophone essays a looming, big-voiced presence. In sum, this group triumphantly immerses itself in the nectar of noir.

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