Home » Jazz Articles » Album Review » Nils Petter Molvaer: er

545

Nils Petter Molvaer: er

By

Sign in to view read count
Nils Petter Molvaer: er
With Khmer (ECM, 1997) Norwegian trumpeter Nils Petter Molvaer almost singlehandedly introduced a new movement in the electronica-based nu jazz arena that would come to be known as "future jazz." Blending a group approach to improvisation with contemporary sampling and programming technologies, Molvaer creates hypnotic ambient soundscapes with compelling rhythms. Music for the body? Unequivocally. But equally, music for the soul and spirit.

Since leaving ECM Molvaer has in some ways become the gold standard against which other future jazz is measured. And yet, while his reputation has grown in Europe, greater success eludes him in North America. It's difficult to understand why this is, although one reason may be that his music tends to avoid the funk and soul that informs conventional American electronica, while equally eschewing the clearer links to a jazz aesthetic heard on some of the more adventurous works found on labels like Thirsty Ear. Instead, Molvaer is all about imagery, with his live performances lit so moodily that the musicians themselves become secondary to the visuals experience.

er is both a continuation of and a departure from previous albums, including last year's live Streamer. While Molvaer continues to use rhythm programming to augment drummer Rune Arnesen's natural pulse, he also introduces hand percussion—played by Arnesen, but also by Helge Nordbakken, who has been instrumental on fellow Norwegian Jon Balke's last two ECM releases. While Balke's music is considerably more abstract, it's no coincidence that Molvaer is becoming increasingly interested in ethnic percussion—not alluding directly to any specific culture, but unquestionably drawing from a broader world view than the pulsing techno beats of so many electronica artists.

er may be Molvaer's darkest work to date, combining the distinctive icy cool of "Sober" with the more trancelike tribal rhythms of "Dancer." Whether on the insistent "Hover" or the aptly titled "Softer"—where Molvaer layers his processed, Jon Hassell-influenced horn over a sparse soundscape— there's a brooding quality that's far removed from the dance floor grooves of Streamer or NP3.

It's also Molvaer's first album in some time that does not revolve around his working band. Arnesen and guitarist Eivind Aarset are there, but this is more of a constructed affair, with a larger cast of characters. It's also his first album to feature a song with words. Norwegian singer Sidsel Endersen—whose electronica album Undertow (Jazzland, 2000) is a minor masterpiece—contributes lyrics and her characteristically hushed and sparse delivery to "Only These Things Count," which, with piano, acoustic guitar and double bass, is the most organic piece Molvaer has ever recorded.

A strong lesson learned from his time with ECM, the sequencing on er is as critical as the pieces themselves. Molvaer's compositions always bear the feeling of an inner voyage, his albums a broader travelogue with evocative narratives. While unquestionably part of his overall oeuvre, er is nevertheless a directional shift for Molvaer, proof to the newcomer that electronica is about considerably more than pulsing beats and synthesized sounds.

Track Listing

Hover; Softer; Water; Only These Things Count; Sober; Darker; Feeder; Dancer.

Personnel

Nils Petter Molvaer: trumpet, bass, keyboard, soundscapes, sampling, additional double bass, drum programming; Rune Arnesen: drums, percussion; Eivind Aarset: guitars; Erik Honore: additional keyboards (1); Jan Bang: additional samples (1), drum programming and samples (7); Elin Rosseland: voice (2); Sidsel Endersen: voice (3), vocal (4); Knut Savik: programming, editing (3), drum programming and wahbass (6); Pal Strangefruit" Nyhus: programming (3), vinyl channelling (4, 7, 8), drum programming, bass (6); Ingebrikt Flaten: acoustic bass (3), double bass (4); Magne Funholmen: piano (4); Heige Nordbakken: percussion (4, 8).

Album information

Title: er | Year Released: 2005 | Record Label: Sula Records

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

What Was Happening
Bobby Wellins Quartet
Laugh Ash
Ches Smith
A New Beat
Ulysses Owens, Jr. and Generation Y

Popular

Eagle's Point
Chris Potter
Light Streams
John Donegan - The Irish Sextet

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.