Quantcast
NEWS |
Return to home page





Folk Songs for Jazzers
Frank Macchia
Freefall
The Chuck Anderson Trio
Simpatico
Claudio Roditi
Another Night in London
Gene Harris
Spanish Breeze
Thomas Lorenzo, Alphonso Johnson, Walfredo Reyes, Dave Garfield
Room 13
Yair Loewenson Trio



Trio Reenactment
Info | Enter
Dave King
Info | Enter
Frank Macchia
Info | Enter
Kurt Rosenwinkel
Info | Enter




Big Jazz Nerd | Published: November 8, 2005

George's Braithophone


By Dr. Milton Pravitz
Discuss    

Big Jazz Nerd,

Whatever happened to George Braith? I remember listening to him play on the street in NYC decades ago. Is he still playing?

Roger Sales
Darien, Connecticut


Roger:

Yes, George Braith is still making music at age 67. His home base is in Milwaukee where he leads the Braith Family Singers—Flame, Jasmine, Taharqa, Chime, and youngest grandson Chris.

Perhaps best known as the originator of the Braithophone—two soprano saxs welded together—Braith was one of only a handful of players to develop a two-horn technique, ala Rahsaan Roland Kirk. Born in NYC in 1939, Braith was a child prodigy on various horns. He began his professional career at the age of 13 with the Dickens LaRoca Big Band, and after graduating from high school in 1957, he went to Europe with his American Jazz Quintet—playing on the same bill as J.J. Johnson for an Amsterdam concert.

Braith's recording career escalated in the early '60's when he cut sides for Blue Note, including his debut as a leader Two Souls in One. The record featured Braith on soprano and alto saxs, simultaneously. Around this time Braith opened Musart, an avant-garde arts and music center in a basement on Spring and West Broadway in what is now the SOHO area of NYC. Musart was a gathering place for the top jazz artists in town. Larry Young, McCoy Tyner, Max Roach, Freddy Hubbard, Harold Land, Bobby Hutcherson, Abbey Lincoln, Wilbur Ware, Roy Haynes, Kenny Durham, Gilly Coggins, Albert Dailey and Beever Harris recorded at Musart. A deeply spiritual man, Braith was a friend and contemporary of John Coltrane. According to Braith, 'Trane called him up right before he died and asked George to call Albert Ayler, Pharaoh Sanders and Archie Shepp. Braith wasn't sure why, but about a week after 'Trane died. When Braith went out to visit Alice Coltrane she told him about 'Trane's message which she had received in a dream the night before. The message was that 'Trane would visit him every Tuesday at 3PM at Musart, and to be prepared. Accordingly, Braith told his friends not to visit him during the prophesized day and time, which he spent alone in meditation, waiting for 'Trane. Until one day when he heard a knock on the door. It was Sonny Rollins.

Photo Credit
Pat A. Robinson


George Braith at All About Jazz



More George Braith Links


Be the first to post a comment on:
George's Braithophone

Signup & post a comment!





More articles by Dr. Milton Pravitz

Real Jazz at The Real School
The Adorable Mr. Jarrett
Who Was Duke's Sophisticated Lady?
Bass and Bitter Rivals
Who was Spider Martin?




More Articles | More Big Jazz Nerd

Chris Jentsch: Cycles and Reflecting on the Journey
February 2010
Who Owns Music?
Take Five With Rick Stone
Polar Bear: Raw and Spontaneous





 
(62)




Gene Harris

Sweet Georgia Brown
From Another Night in London

More | Recent | Top









Advertise | Contact Us | Site Map |


All material copyright © 2010 All About Jazz and/or contributing writer/visual artist. All rights reserved. | Privacy Policy