Edmund Welles: Agrippa's 3 Books (2005)
The group, led by composer Cornelius Boots, must have quite a following, evidenced by the remarkable turnout at a late August performance at The Stone. There the group played material from Agrippa's 3 Books, as well as some older original material and covers. The album is a four-part suite (not including pre- and postlude) inspired by the 16th Century philosophical treatises of the German intellectual. The music is simply remarkable. Boots has the ability to write compelling melodies and mix them with fascinating counterpoints, all while fully utilizing every black laquered inch of the instrument. Stylistically, the pieces owe more to the realm of Black Sabbath than Eric Dolphy, but they're still firmly based in the new music tradition.
The rest of the album is filled out by coversSabbath, Sepultura, Spinal Tapwhich somewhat diffuse the seriousness of what preceded them. On album, they come at the end as a respite. In performance, they came first, acting as an initiation before the more difficult works. And difficult they are. Never before has the instrument been written for so well and most listeners might not be prepared for so much of this sound. And with a remarkable recording, no detail is missed. A stunning document.
Track Listing: Prelude: The Conspiracy Manifests; I. Cause & Effect; II. The Black Lodge; III. Corso v. Torchia; IIII. Asmodeus: The Destroyer, King of the Demons; Postlude: Aphel, die schwarze Schlange; Into the Void; Roots Bloody Roots; Big Bottom.
Personnel: Aaron Novik, Scott Hill, Sheldon Brown, Cornelius Boots: bass clarinets.
Record Label: Self Produced
Style: Beyond Jazz