Steve Lehman: Demian as Posthuman (2005)
In contrast to the almost audio-verité live band sound of Artificial Light, this disc has a palpably unnatural studio sound, and indeed, Lehman is as much producer (he co-produced with Scott Harding) as player. The album, in fact, originally included a fantastic Lehman remix of a popular hop-hop group's song that would, perhaps, have underlined his role here as producerbut the tune was left off due to clearance issues, perhaps fortuitously, because the recording works better as a whole without it.
Several of the pieces appear in multiple configurations that give them a plastic, three-dimensional qualitylike sculpture, we're able to "see" them from various vantage points. "Damage Mobility is presented first as a brief, minimalist overdubbed-alto quartet of temporily staggered, harmonized horns. Then we get the same alto parts in another versionthe greater length emphasizing the hypnotic quality of their overlapping notesbolstered by Lehman's programmed effects and Sorey's restless, fidgeting entrances and departures.
"Cognition appears in four different versions, all incrementally discrete. "Cognition - Curtis Duncan has a duo of Lehman's altos playing contrapuntally over Sorey's click-clack precision; Lehman is playing very similar lines that keep returning to the song's key melodic phrase, and the closeness of these alto parts give the music a shimmering, blurring effectagain, that sculpture-like quality of seeing the melodies from slightly different angles. The studio milieu's essential to "Cognition in all its formsit's really about exploring two-alto counterpoint.
"Logic - Meshell has Lehman's alto and Jahi Lake's turntables chopping across an anxious, constrained groove created by Ndegeocello's bass vamp and Eric McPherson's in-the-pocket drumming. Whatever Lehman's talents are as a conceptualist, he's also a flawless, if deeply angular, melodist, and his Morse code phrasing has a bracing warmth as his clipped lines dance, pivot, and influoresce around Ndegeocello's bass.
Finally, there's "Demian, an eerie landscape where Lehman's alto alternately follows and resists against a wall of droning, becalmed, effected altos that sound like a warped blend of flutes and foghorns. There's a great sense of struggling against static constraint that's enhanced by Sorey's drums, which may mimic electronica beats but are always too variable and human to truly pass as robotic.
The compositions, musicianship and overall conceptual attack of Demian as Posthuman make it a complete successas opposed to an interesting novelty. What's Lehman going to do next?
Track Listing: Vapors; Demian; Damage Mobility - Acoustic; Damage Mobility; Cognition - Curtis Duncan; Cognition - Drew Hill; Logic - Me'Shell; Logic - Tyshawn; Cognition - Ernest Givens; Cognition - Haywood Jeffries; Emphonic; Community.
Personnel: Steve Lehman: alto saxophone, sopranino saxophone, sequencing, effects programming, drum programming; Tyshawn Sorey, drums (2,4-6,8-10); Vijay Iyer: piano (1,12); Meshell Ndegeocello: electric bass (1,7,12); Jahi Lake: turntable, electronics (1,7,12); Eric McPherson: drums (1,7,12).
Record Label: Pi Recordings
Style: Fringes of Jazz