The Uptown Quintet: Live in New York (2005)

Dan McClenaghan

Senior Contributor since 2002

A lover of sounds, and the way they fit together.

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Published: September 13, 2005

Let's start off with the meat of the matter: Live in New York is hard bop of the highest order; it drives straight ahead with a crackling energy. If Art Blakey can hear this disc up in jazz heaven, he surely has a big grin on his face.

And now a tangent. You've got to love the cover art: a clean line design, nice geometry, a square within a square, and enclosed in the smaller of the two, a painting (by Madeline Bachan Kaur Sullivan) of five codgers on a bench—a bit of a joke, perhaps, about the relative youth of the players who comprise the Uptown Quintet.

The disc opens with altoist Ian Hendrickson-Smith's "O'Cleary's Shuffle"—and since I've mentioned Art Blakey, this has a real "Moanin'" feel—with a unison statement by Hendrickson-Smith and trumpeter Ryan Kisor, follwed by a series of spirited solos by first alto then trumpet, then Spike Wilner's piano, then Barak Mori's bass in front of Charles Ruggiero's whispering cymbals, relaxed and inspired at the same time.

From a shuffle to a cooker, pianist Wilner's "In the Kitchen" turns up the heat, with Hendrickson-Smith keeping the flame up high on his turn. Wilner and Ruggiero rollick on the keys and skins, and Kisor sizzles.

The set is nicely paced, full of spontaneity, first-rate musicianship, and group interplay... hard bop at its finest.

Track Listing: O'Cleary's Shuffle; In the Kitchen; A Foolish Lament; Sweet Pumpkin; Calypso Cove; Blue Minor; Joyful Abandon.

Personnel: Ryan Kisor: trumpet; Spike Wilner: piano; Ian Hendrickson-Smith: alto saxophone; Barak Mori: bass; Charles Ruggiero: drums.

Record Label: Cellar Live
Style: Straight-ahead/Mainstream