Home » Jazz Articles » Album Review » Nina Simone: Let It Be Me

384

Nina Simone: Let It Be Me

By

View read count
Recorded in 1980 at a Quebec concert performance before thousands of adoring fans at Salle Wilfrid-Pelletier of Place des Arts in Montreal, this just-reissued 33-minute album provides a personal glimpse of the persona that Nina Simone brought us.

The concert is unique. Simone performs some of the material alone, involves the audience on occasion, and works with bass and drums for a portion. Her audience rapport works well, since she talks to them in English and French. Informal in her presentation, the singer lets everyone know that she's their best friend.

Hannibal sits in on flute for "See Line Woman," a lovely blues chant that carries considerable charm. "Let it be Me" lets both voices float passionately over Simone's piano accompaniment. Their presentation moves slowly, giving plenty of room for the song's emotion to settle.

The concert closes with a rousing "Mississippi Goddam," which Simone wrote in 1963 or '64 to raise awareness of recent civil rights violations. Here, in her 1980 concert performance, she updates its message and reminds us that the job is not done. The world needs more caring people like Nina Simone.

Craig Morrison's liner notes provide a brief biography and insight to the music at hand. This recommended album, while brief, provides us with a valuable snapshot of the singer who was dubbed "The High Priestess of Soul."

Track Listing

Stars (Jesse); That's All I Want from You; Ain't Got No; I Got Life; Be My Husband; See Line Woman; Let It Be Me; Mississippi Goddam.

Personnel

Nina Simone
piano and vocals

Nina Simone: piano, vocals; Hannibal: flute, vocals; Tony Armstrong: bass; Lucky Wedgestone: drums.

Album information

Title: Let It Be Me | Year Released: 2005 | Record Label: Just A Memory


About Nina Simone

Tags


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

Airborn
Eddie Parker's Airborn With Rob Luft
Slow Down For Turtles
Luca Benedetti
Relocate
Andres Thor
A Distant Land
Rich Halley 4

Popular

Desolation Row
David Maranha / Rodrigo Amado
2014 NYC
King Crimson
Beneath Lifted Skies
Linda May Han Oh & Melissa Aldana
Talamanti
Patricia Brennan and Sylvie Courvoisier

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.