Home » Jazz Articles » Album Review » Andreas Pettersson: Gullin on Guitar

199

Andreas Pettersson: Gullin on Guitar

By

Sign in to view read count
Andreas Pettersson: Gullin on Guitar
I'm always surprised—although I suppose I shouldn't be—by the number of jazz fans I encounter, musicians among them, who've never heard of Lars Gullin, one of the greatest (my opinion) baritone saxophonists who ever lived. The reason, I presume, is that Gullin (1928-1976) was Swedish, and although he performed with such outstanding American players as Zoot Sims, Lee Konitz, Clifford Brown, James Moody, Chet Baker and others, he rarely left his native country and never visited the US.

Even so, Gullin was an awesome talent, clearly in a class with Mulligan, Chaloff, Cecil Payne and more recent masters such as Pepper Adams, Nick Brignola, Jack Nimitz, Gary Smulyan and any others you'd care to name. In The All Music Guide to Jazz, Vol. 2, Scott Yanow writes that Gullin "did not live up to his enormous potential. Yes, he did, as anyone who has listened closely to his recordings would readily acknowledge.

Complementing his prowess as a player, Gullin was a gifted composer too, as is clearly evident on this welcome tribute by Swedish guitarist Andreas Pettersson and his quartet, on which almost everything was written by Gullin (Pettersson appended a bit of the folk song "Gamble Vau to one of Gullin's most well-known tunes, "Danny's Dream ). Gullin's ear for a charming melody is as conspicuous in his writing as it was in his playing. But once past the melodies, what remains is essentially a blowing session in which Pettersson shows excellent chops and a prolific imagination.

I was thinking as I listened that perhaps this might have worked even better as a solo guitar album, as Pettersson's teammates, albeit capable, are at times heavy-handed, inadvertently overshadowing his best efforts. This is especially true on the more spirited numbers ("Pals, "Decent Eyes, "Be Careful"), wherein pianist Daniel Karlson and drummer Joakim Ekberg come through loud and clear, often at the expense of Pettersson's more temperate guitar. It's not enough to dampen one's pleasure, but it can be distracting.

Be that as it may, "Careful is nevertheless one of the highlights, with everyone swinging hard behind forceful solos by all hands. The boppish "Lars Meets Jeff, on which the rhythm section shows admirable restraint and everyone plays enthusiastically, is another pinnacle, and perhaps should have been placed first, before "Pals. But the whys and wherefores remain unclear, as the liner notes (and everything else) are in Swedish.

When all is said and done, Gullin on Guitar is a warm and sensitive homage with respectable playing time and crystal-clear sound. But if you'd like to hear something that'll really blow your mind, look around for a recording or two by the incomparable Lars Gullin himself (Dragon Records would be an excellent place to start).

Visit Andreas Pettersson and Lars Gullin on the web.

Track Listing

Portrait of My Pals; Lars Meets Jeff; Danny

Personnel

Andreas Pettersson, guitar; Daniel Karlson, piano; Hans Backenroth, bass; Joakim Ekberg, drums.

Album information

Title: Gullin on Guitar | Year Released: 2005 | Record Label: Sonet/Universal


< Previous
Channel Three

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.