Dutch Jazz and Performers at the 2005 North Sea Jazz Festival
- WNYC's "Soundcheck," from Nov. 18, 2003
Every year the North Sea Jazz Festival puts out a compilation CD of featured artists and it's always a big seller. But far edgier and harder to find is the Best Of Dutch Jazz Competition album featuring works by some of the country's best young jazz groups from recent years.
It could be found with a bit of searching at the 2005 festival, but there appears to be no simple way of ordering it online or through other channels. Thankfully, as is often the case, the internet offers many of the same listening opportunities - as well as work from other "obscure" festival musicians of note - free of charge.
Generous collections of big band to cutting edge are available from the performers below, with less middle-of-the-road and ear-assaulting random noise that is often the case - a tribute to the country's heritage and the quality of performers at the festival. Providing a comprehensive list of all festival artists with free full-length song downloads is nearly impossible without weeks of research, so several worthwhile hub sites are mentioned for those wishing to explore further, as well as soon streaming sites that offer a good range of music from numerous performers.
14 live and studio tracks
WIDTH=250 HEIGHT=184> It's tough finding a better introduction to the Netherlands jazz scene than the 14 songs from this saxophonist, one of three finalists in the 2005 Dutch Jazz Competition and winner of best composition for "White And Blue." Beek has feet planted firmly in both old- school intelligence and modern spirit, and his songs range from progressive mainstream to funk to disco rock. "White And Blue" is a straight-ahead ballad probably best described as complex lyricism, with elements of gospel and waltz bubbling within. Among those at the other end are the post-bop "Mr. DJ" and funky live performance of "Caravan," which serve as better solo vehicles for his fairly level rapid-phrase approach. The non-jazz pieces, especially the disco-oriented "Beter Dan De Kopie" (apparently from an album by vocalist/percussionist Kasper van Kooten) are a considerable step down. And "Q Bell," described as a "sax experiment with Freakatronics and delay," is pretty much just that - brief and mildly interesting, but hardly a musical masterpiece. There's only a couple such deviations, however, making them more an interesting show of versatility than a nuisance. There's also several videos at the site which, besides the expected performance clips, include commercials for things like shampoo and the Red Cross.
Available at: www.tombeek.nl/pages/ENG_audiovideo.html.
Various live and studio performances
WIDTH=250 HEIGHT=193> Another generous and versatile saxophone collection, this time from a recent Iowa university graduate whose band, The Madcap Four, played the opening show at the North Sea festival. In fact, it's interesting doing a virtual battles of the bands between this collection and Veek's. Cashdollar's site features about about 20 songs, including seven Madcap Four selections from a concert series dedicated to the music of John Zorn's Masada - a demo disc Cashdollar used to successfully apply at North Sea. Much of it is quality stuff, including a strong Coltranish soprano sax and drums improvisation/ collaboration on the original "Bliss And Corruption," and constantly interesting tonal concepts with a saxophone quartet on the improvised "Minstrals." The Zorn material is more mixed, with songs like "Sippur" suffering from poor audio and a lack of standout performances, especially with Zorn a point of reference. The download process is a pain and a bit buggy, requiring extra work to download songs instead of streaming them. Still, Cashdollar's site is near the top of this article because it offers some of the most interesting material from my perusals.
Available at: www.mattcashdollar.com.