Mike Stern: Playing by Heart
Influenced by guitarists from Wes Montgomery and Jim Hall to Hendrix and Clapton, as well as, 'Trane and McCoy Tyner, Stern blends harmonic intellect and a warm, brilliant tone with the soulful edge of rock, blues and funk seamlessly; effortlessly. And he always seems to have a blast doing it, as consequently do his audiences.
Whether as sideman for Miles, Brecker, Jaco, Cobham, Blood, Sweat & Tears or collaborating with Bob Berg, Jim Hall, Pat Martino, John Scofeld, Bill Frisell or George Coleman, Stern has made an indelible mark on the current sonic soundscape, influencing thousands of guitarists trying to emulate the elusive tone, the phrasing, the linear development, the voicings, the vibe, the music itself. All unique components of Stern's instantly recognizable sound.
With the Grammy-nominated Voices , his tenth and final album for Atlantic, Stern expanded on his instrumental oeuvre by breaking from the traditional territory of that idiom with the addition of bassist/vocalist Richard Bona (currently with Pat Metheny), Philip Hamilton and others along with the always stellar rhythm sections of Dennis Chambers, Lincoln Goines and Vinnie Coliauta (w/ Sting). Mike Brecker guests on tenor sax.
Stern's latest release, These Times , continues this focus on the added texture of vocals as an instrument and seems an appropriate title not only for Stern's latest release and move to new label, (ESC/Germany), but also for the current zeitgeist. Just that sense of 'what's up' or what's next, people seem to currently be asking of each other and the world around them. Joined by a who's who of world's musical talent pool, Stern embarks on his second vocal excursion and the latest phase of his extensive and varied career.
It's early January during one of the coldest winters in recent years and Stern was home in New York on a break between tours when this was done.
All About Jazz: So how are you liking that heat wave up there?
Mike Stern: Yeah, its great. For instance today its going to be better. Its up to a big, balmy 30 degrees.
AAJ: So you just got off tour.
MS: Well, that was awhile ago, I've been home playing around New York for about a month now.I'm going to be playing at the Iridium January 27th for a week, in New York. You know the club? 51st and Broadway or something like that. Its with Dave Weckl, Richard Bona and Bob Francescini, on the new CD. That's the quartet for these gigs coming up in the states and Then we're going to Japan. Victor Wooten is doing a couple of dates, too, coming up in San Francsico, and a week in Yoshi's in Seattle, also. Then we're going to Washington and Boston.
AAJ: How does that change when you go from one player to another?
MS: Well, I do that all the time with different cats, you know, there are a few that are just bad motherfuckers. They put their own thing on the music and so it's really fun. I mean I just really feel honored that they want to do gigs with me. I feel, they're really great players and its flattering to be able to get those cats to play, to do gigs with you. Playing with Weckl's going to be great, too. He's on an earlier record on mine called 'Between the Lines'. We played a lot together so I'm looking forward to playing with him. I wanted him actually to be on this record also ('These Times'). I wanted Vinnie (Coliauta), Dave and Dennis (Chambers) but you can't get everybody. It's just impossible with the scheduling and everything and budget and everything.
AAJ: Yeah. So, Richard's been doing all the vocals on tour?
MS: Well, there's not many vocals on tour, it's much more live instrumental. He does a couple of tunes when we tour. We haven't done that much touring. We just did some gigs, sometimes unadvertised, at the 55 Bar, just kind of jamming and he does some of the vocals, and then we did a gig at the Iridium last year when Voices was out (which Bona guests on vocals, bass and Kalimba) we did a couple of the tunes and he sang a couple of them - just quartet ' so it doesn't sound produced, its just one voice. It's not layered voices or anything.