Spontaneous Music Ensemble: A New Distance

Poignantly, this album opens with the voice of Stevens, introducing the long opener, "Stig, where the trio of Stevens, John Butcher, and Roger Smith gives a typically intense performance in front of a large audience (at Conway Hall). The concentration of the audience is almost tangible. The concentration of the players reinforces that notion of democracy. No one dominates; everyone is listening so hard it hurts. The smallest stimulus is met by a response, which in turn becomes a stimulus, and so on, back and forth, round and round. More intimate, but no less intense are four pieces recorded at the Red Rose Club before a small audience. Sometimes they require extreme concentration, being almost at the threshold of audibility, but such concentration is never wasted—it is always repaid.

The album closes with two previously unissued studio recordings that add flute to the trio. Stevens' spoken introductions offer a fascinating insight into the SME's working methods and the serious thought he gave to the methodology of free playing. These alone are enough for me to strongly recommend this album to you. They offer a rare, priceless glimpse into the production of this music.

The influence of SME, via players who passed through its ranks or were inspired by seeing them perform, is incalculable but vast. They changed the way that many people heard; music would be hugely different had they not existed. Can there be greater praise?

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