Home » Jazz Articles » Album Review » Avram Fefer and Bobby Few: Heavenly Places
Avram Fefer and Bobby Few: Heavenly Places
I first encountered the duojoined by bassist Wilbur Morrison Few and Far Between (Boxholder Records, '02), a disc that opens with Few's masterpiece, "Continental Jazz Express," a propulsive, wailing fifteen minute tour de force that also included Wilbur Morris's searing "Chazz" and Fefer's anguished "Loss." It was one of the finest free jazz discs of 2002. Heavenly Places is even better, featuring three extended works, with Bobby Few's nimble flourishes interspersed with a rollicking, tumbling beauty in perfect counterpoint to Fefer's unleashed emotional intensity.
Bobby Few, who has lived in Paris since 1969, is a true American treasure, with his free jazz-meets Erroll Garner-meets deep spirituality approach, a hidden treasure that Boxholder Records alone is revealing for us. Aside from two previous recent sets on the label, his output (seventy plus albums) has been mostly on small European labels. He is probably best known in his home country as a member of soprano saxophonist Steve Lacy's sextet from 1982-92. Reedman Avram Feferhe of the scorching tenor tonealso lived in Paris for five years before returning to New York in the mid-'90s. He has several fine CIMP releases to his namemost notably, for this ear, Shades of the Muse, with bassist Ken Filiano, cellist Tomas Ulrich, and drummer Jay Rosen.
Heavenly Places (for those who are categorizing) can be considered free jazz, but it falls into a very accessible side of that sound for anyone who's been there. An engrossing, magnificent, glorious musical experience.
Visit Bobby Few and Avram Fefer on the web.
Track Listing
Happy Hour, Heavenly Places, Improv/Kingdom Come
Personnel
Avram Fefer--tenor and soprano saxophones, clarinet; Bobby Few--piano
Album information
Title: Heavenly Places | Year Released: 2005 | Record Label: Boxholder Records
About Avram Fefer and Bobby Few
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







