Akira Rabelais: Spellewauerynsherde (2005)
Anyway, his approach is what makes a difference; the real essence of this disc comes from the sound design, mixing, and processing. He either heavily processes the voices or leaves them intact, then subjects them to unusual treatments to create a soundscape which is, paradoxically, dense, bleak, and dark yet open. In doing so, he subverts one's expectations of musical structure. The pieces build gradually and move at a slow pace, creating a subtle and mysterious elixir of strange effects and textures. The titles of the tracks are related to historical figures such as John Wyclif ("1382 Wyclif. Gen. ii.7"), William Caxton ("1483 Caxton Golden Leg. 208b/2"), and William Cuningham ("1559 W. Cuningham Cosmogr. Glasse 125"). The final track refers to John Milton and his work Samson Agonistes ("1671 Milton Samson 1122").
Spellewauerynsherde is a strangely beautiful mixture of contemporary sounds and found voices that resemble early music or Gregorian chants. There is something seductively poetic about this mixture as the sounds slowly descend throught minimalistic textures. It is nearly overwhelming in its mystic ambience, and there are plenty of rewards for patient listeners.
Track Listing: 1) 1382 Wyclif Gen. ii. 7 And spiride in to the face of hym an entre of breth of lijf. 2) 1390 Gower Conf. II. 20 I can noght thanne unethes spelle that I wende altherbest have rad. 3) 1440 Promp. Parv. 518/2 Wawyn, or waueryn, yn a myry totyr, oscillo. 4) 1483 Caxton Golden Leg. 208 b/2 He put not away the wodenes of his flessh with a sherde or shelle. 5) 1559 W. Cuningham Cosmogr. Glasse 125 Within which draw an other Circle, a finger bredth distant. 6) (Gorgeous curves lovely fragments labyrinthed on occasions entwined charms, a few stories at any longer sworn to gathered from a guileless angel and the hilt edges of old hearts, if they do in the guilt of deep despondency.) 7) 1671 Milton Samson 1122 Add thy Spear, a Weavers beam, and seven-times-folded shield.
Record Label: SamadhiSound