Mostly Others Do the Killing: Mostly Others Do the Killing (2005)
Elliott seems to want to distance his project from the mainstream designation, but here perhaps his youth shows more plainly, as Mostly Others Do the Killing is clearly a jazz record. The title and design of the CD aims to ape an alternative rock aesthetic, but five seconds into the music, no one will be fooled. The compositions are in-the-pocket modern jazz romps. The music is playful and seemingly unintimidated by the deep waters in which it swims, but the ideas and stylistic devices employed are far from avant-garde. Elliott is correct to aim for a younger audience, but his music is far more sophisticated than any alternative rock, and he has a heap more instrumental talent in his band.
Jon Irabagon's soprano playing seems to reveal an awareness of Steve Lacy, and he can play with bright clarity and microtonal murkiness at will. The fine trumpeter Peter Evans, also reported to implement piccolo trumpet and baritone horn on this outing, likewise has technique to spare, sporting by turns precision to rival Marsalis and controlled, inspired looseness that suggests an affinity with Don Cherry. The leader's bass is recorded here, alas, heavily. He and drummer Kevin Shea certainly manage to swing the band through the required passages and assume a perfectly satisfactory free pulse at the appropriate moments.
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Track Listing: 1. Elliott Mills; 2. Between Panic and Desire; 3. Jollytown; 4. Good Intent; 5. King and Queen; 6. Aspers; 7. Moanin.'
Personnel: Peter Evans: trumpets; Jon Irabagon: saxophones; Moppa Elliott: bass; Kevin Shea: drums and percussion.
Record Label: Hot Cup Records
Style: Beyond Jazz