Meet Ladd McIntosh
Other inspirational composers
Gerald Wilson rhythmically. He gets down and dirty. Those albums he did in the 1960's for Pacific Jazz. We just saw him at IAJE, and he remembered my Ohio State band from the Notre Dame Jazz Festival. Gil Evans for the colors, the tension, the clusters. Those albums he did with Miles Davis. Johnny Mandel-the album Pearls with David Sanborn, about 1993. Sanborn gets a wonderful sound with that orchestra behind him. Mozart for his cleanliness, melodies, and integrity. Every note is right.
Cannonball Adderley for his earthiness and swing. Phil Woodsyou can hear the Parker in him, but I'm not much of a Parker fan the way I am with Cannonball and Phil. Gene Ammons-I transcribed his "My Romance" solo [ Boss Tenor , 1960] and learned it. Eddie "Lockjaw" Davis for his fire, energy, and command. The Basie Band would be playing. It was so wonderful itself, but Lockjaw would notch it up a couple of degrees when he soloed. Miles Davis took me a while to get next to. Kind of Blue opened a new door after bebop, and I tell my students at the Mancini Institute to buy it. Bitches Brew didn't have the immediacy for me.
The Henry Mancini Institute (HMI)
It's for four weeks in the summer. They take over the music building at UCLA. Jack Elliot started it, and when he died Patrick Williams became the artistic director. Last year they auditioned 500 students from all over the world. They pick an orchestra of 77, and they pick seven composers. There's a big band within the orchestra. All they have to do is get themselves to Los Angeles. Everything is scholarshipped. They work really hard for four weeks, and they do a lot of performances. I teach beginning and intermediate improv. These students at HMI are all at a very high level. Because they're orchestrally trained for the most part they don't know much about jazz. It's amazing how fast they can progress. I give them ideas about scales and what notes to emphasize and tell them it's okay to make mistakes. My class this year was seven of the eight legit winds, five French horns, a tuba, and a harp. Because I have Sibelius now the instrumentation doesn't matter. I can write lead sheets for whatever I want to do. (They're mostly modal tunes.) Last year I had almost all string players.
Inspiring musicians to play at their best/conducting