Home » Jazz Articles » Album Review » Eddie Higgins Trio: Christmas Songs
Eddie Higgins Trio: Christmas Songs
First, this is the kind of music that you can play at family gatherings when your relatives are allergic to jazz (as in, "why do they keep messing up the melody?"). For one thing, Eddie Higgins is the gentlest of sparkling pianists, and the tunes are served straight up with only brief improvised choruses, offering a friendly invitation to any shower singers in the room (mirror dancers will also enjoy "White Christmas"). For another, Higgins's comrades are also world-class: Jay Leonhart is justly renowned for his pitch, melody and wit, while Joe Ascione is famed for his imagination, versatility and taste. Together they produce consistently swinging and delightful music, with no need to lunge for the "skip" button at any time.
Happily, there are stealth surprises in here for the jazz fan, like the intriguing arrangement of "God Rest Ye Merry Gentlemen," where Ascione double-times his brushes over Leonhart's stately bowing; "Little Town...," which gets due reverence in the opening piano solo, then glides into a slow bossa; and "Sleigh Ride," with its tongue-in-cheek quote from Prokofiev and Higgins really stretching out. The longest track, at 6:11, is "Winter Wonderland," but even Aunt Gertrude will be bobbing her head to Ascione's tasty solos, especially after a few trips to the punch bowl.
These Christmas Songs are warm, beautifully executed, and, well, merry.
Track Listing
Let it Snow, The Christmas Song, I'll Be Home for Christmas, God Rest Ye Merry Gentlemen, Santa Claus is Coming to Town, O Little Town of Bethlehem, Have Yourself a Merry Little Christmas, The Christmas Waltz, White Christmas, Winter Wonderland, Deck the Halls with Boughs of Holly, Sleigh Ride
Personnel
Album information
Title: Christmas Songs | Year Released: 2005 | Record Label: Venus Records
About Eddie Higgins
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







