Leslie Pintchik: So Glad to Be Here (2004)

Dan McClenaghan

Senior Contributor since 2002

A lover of sounds, and the way they fit together.

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Published: November 9, 2004

It's happened to a lot of us, getting hit really hard by the music of Miles Davis and Thelonious Monk. Most of us, though, don't—after taking the hit—give up the beginnings of a promising career in academia to pursue jazz full bore; but that's what pianist Leslie Pintchik did, and So Glad to Be Here is the result—and a superb one—of that career change.

Pintchik put together her first trio in '92, but So Glad to Be Here is her debut. The set opens with Kern and Hammerstein's "All the Things You Are," in a softly yet insistently propulsive mode. Next up is Irving Berlin's "You Keep Coming Back Like a Song." The pair of standards serves as a wonderfully familiar introduction to Pintchik's sound. The parallels between this trio and Keith Jarrett's Standards Trio seems obvious, with "All the Things You Are" suffused with a Jarrett-like low-grade tumultuousness channeled by the melody, and a seemingly effortless group cohesion, into an implacable and inevitable—but not forceful—forward momentum; while "You Keep Coming Back..." glides through time.

The trio gets into a relaxed groove on bassist Scott Hardy's "Scamba," a jaunty roll that gets dashed with an unexpected array of colors by drummer Satoshi Takeishi. The percussionist splashes and knocks, and sometimes he—briefly—sounds as if he's got the table knives out to clatter and tink and rattle on the pots and pans hanging from the kitchen's ceiling rack, maintaining long stretches of subtlety and texture interspersed with sudden hollow and/or metallic exclamations.

Seven Pintchik originals follow, revealing a composer with a flair for the lyrical, well-constructed, engaging melodies, strong efforts all, with "Terse Tune" chosen here as a particular favorite—edgy, dark-toned, maybe a bit manic. Pintchik closes things out with a tune from one of the giants who hit her and knocked her into this career in music—Monk's "We See," the trio sounding relaxed and ebullient, a bright and jaunty four-minute wrap-up on a fine debut disc.

Visit Leslie Pintchik on the web at www.lesliepintchik.com .

Track Listing: All the Things You Are, You Keep Coming Back Like a Song, Scamba, Hopperesque, Let's Get Lucky, Happy Dog, Mortal, Terse Tune, Luscious, Something Lost, We See

Personnel: Leslie Pintchik--piano; Scott Hardy--bass; Satoshi Takeishi--percussion

Record Label: Ambient Records