Clark Terry: Porgy & Bess (2004)
Terry brings his particular spirit to the compositions. "Summertime" has him use the mute, but he swings with a lively undercurrent, yet sharp-edged and soaring. The tone is broad and lush on "Bess, Oh Where's My Bess?", the flugelhorn floating and clasping the emotional crux. Terry essays it smoothly into swing before coming back again in a seamless arc. The blues are deep and beckoningwould he have it any other way? "Prayer (Oh Doctor Jesus)" testifies to his tensility and his passion. And what would a Terry recording be without a vocal? He does "Here Comes de Honey Man" with a mumble and humour. Is anything else needed? Acknowledgement would not be complete without a nod to "I Loves You, Porgy" which is beautifully delineated, his voice a beacon of luminous sentiment.
The recording also gains sinew from the Chicago Jazz Orchestra, which not only lends Terry admirable support but also envisions the music with an attitude that is compelling. As such the supporting players create an aura that is definitive, playing with verve or with delicacy, expertise of high standard. "Gone" is one of the compositions that fine tunes these aspects. The orchestration is rich and George Fludas pushes the rhythm on the drums, with Art Hoyle adding an exemplary solo before getting into an animate conversation with Terry.
Visit the Chicago Jazz Orchestra on the web.
Track Listing: Buzzard Song; Bess, You is My Woman Now; Gone; Gone, Gone, Gone; Summertime; Bess, Oh Where's My Bess?; Prayer (Oh, doctor Jesus); Fishermen, Strawberry and Devil Crab; My Man's Gone Now; It Ain't Necessarily So; Here Comes de Honey Man; I Loves you, Porgy; There's a Boat That's Leaving Soon for New York
Personnel: Clark Terry--trumpet, flugelhorn, vocals; Chicago Jazz Orchestra: Artistic Director and Conductor--Jeff Lindberg
Record Label: A440 Music
Style: Big Band