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Interviews

Anders Jormin: Touching the Heart and Spirit

By Published: October 4, 2004
Jormin's new disk, In winds, in light , is an ambitious song-cycle that resulted from a commission to create new sacred music. "When I got the commission to write the piece," says Jormin, "it was not actually said that it should be a song cycle, it was just said that it should be a piece of new sacred music, to give new life to church music somehow; but I immediately felt that lyrics had to be a part of it. And I think, if I can remember, my choice fell very quickly with [singer] Lena Willemark, with whom I had collaborated on a few occasions.

"The commissioner actually had one suggestion," Jormin continues. "They happened to know and really like [pianist] Marilyn Crispell, and they suggested to me that she should play the church organ. So that was the only suggestion, but it turned out that Marilyn had never done it and she is always very concerned with doing a great job, so I came up with the idea of letting Marilyn play the piano, and I decided to use Karin Nelson, an experienced and highly appreciated organist. I found it quite inspiring to mix piano and organ; it's not done very much. So Lena was an early choice, and then for percussion I found Raymond Strid inside my head quite quickly. To me it's quite a logical combination, because somehow I could hear the sound of this music inside of me.



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