Home » Jazz Articles » Live Review » Dave Douglas New Quintet

158

Dave Douglas New Quintet

By

View read count
Village Vanguard
New York City

Take Dave Douglas's Magic Triangle and Leap of Faith quartet, swap Ben Perowsky for Clarence Penn on drums, keep Chris Potter on tenor and James Genus on bass, and add Uri Caine on Fender Rhodes. What have we got? The new Dave Douglas Quintet, which the chameleonic trumpeter/composer featured during his second engagement at the renowned Village Vanguard. Little is known about this new grouping. The music was brand new, so much so that Douglas felt compelled to thank the band effusively for learning it all that week. No song titles were announced, nor were there any mutterings about an album in the works.
The addition of Caine's Rhodes gave the music a feel strongly reminiscent of late 60s Miles, along the lines of Water Babies or Miles In the Sky. But each tune bore Douglas's unmistakable, ultramodern fingerprints. Genus and Penn were like a rhythmic tsunami, but Douglas rode the waves, his horn sounding chipper during the last set of the last night of the week. And Potter never sounded better. The top-flight tenor man works with so many people that he can seem to be coasting sometimes, but this group prompted him to spill forth lines and ideas that overwhelmed the senses. Caine's bell-like tones and thick harmonies were the real magic touch, however. Rhodes is less of a rarity these days; a giant like Uri Caine makes the thing sound heavenly.
Douglas has found a way to make modern, creative music and also swing really hard, refusing to choose between the tradition and the avant-garde. For the most part he's done this by writing lots of material for lots of different bands. With this new quintet he has synthesized his musical agendas with a high degree of focus and efficacy.
The quintet's next New York appearance will be at Symphony Space, as part of the "Wall to Wall Miles Davis" noon-to-midnight marathon, free and open to the public, on March 24. Antonio Hart will sub for Chris Potter, and the band will hit during the 4pm-6pm segment.

Tags

Comments


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

Jazz article: Ursa Major at Miner Auditorium
Jazz article: Hingetown Jazz Festival 2026
Jazz article: Kalia Vandever at LOFT in Cologne

Popular

Read Charlie Haden: Anatomy of a Jazz Classic
Reanimating Conversations Past
Charlie Haden: Anatomy of a Jazz Classic
Read Mark Gross: Jazz for Teens

HIDDEN GEMS

Jazz article: The Mount Rushmore of Hard Bop
Readers Poll Results
The Mount Rushmore of Hard Bop
Jazz article: New Orleans Jazz and Heritage Festival 2018

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.