Home » Jazz Articles » Album Review » Terence Blanchard: Bounce

458

Terence Blanchard: Bounce

By

View read count
Although he’s spent much of the past 15 years scoring films for Spike Lee and others, trumpeter Terence Blanchard certainly hasn’t forgotten about jazz, as his impressive Blue Note debut makes clear. Bounce finds the former Jazz Messenger having grown well past his early days as part of the “young lions” phenomenon of the ‘80s into a mature, individual artist exploring a wide palette of jazz colors.

Like the best jazz artists working today, Blanchard has an awareness of the music’s past and present and openness to influences outside the jazz world (at least, that is, to those who would offer a narrow definition of all that jazz encompasses). Along with a band of talented young stars in the making (Aaron Parks on piano, Brandon Owens on bass, Eric Harland on drums, Lionel Louke on guitar and Brice Winston on saxophone), Blanchard deftly blends neo bebop and Latin grooves, New Orleans funk and African rhythms into a cohesive, expressive, contemporary whole.

Among Blanchard’s impressive original compositions, his “Azania” digs deep into Afro-Caribbean traditions, including a wordless chant from Louke, while the title tune (which is paired with former partner Donald Harrison’s “Let’s Go Off”) is flavored with the down-home gumbo of his (and most of the band’s) Crescent City home. Blanchard even delves into free form funk, with the addition of Robert Glasper on Fender Rhodes, on the fiery original “Fred Brown” and on an edgy reworking of Wayne Shorter’s “Footprints.”

A generous leader and mentor, Blanchard gives plenty of room for band members to express themselves with extended solos, and in the case of Parks, Harland and Owens, with notable originals of their own. While never hogging the spotlight, Blanchard is an adroit soloist himself, always in full command of his instrument whether playing fast and furious runs or moody ballads. With Bounce, Blanchard proves himself a jazz artist very much of the moment and a jazz man for all seasons.

Tags

Comments


PREVIOUS / NEXT



Terence Blanchard Concerts


Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Eternal Moments
Yoko Yates
From "The Hellhole"
Marshall Crenshaw
Tramonto
John Taylor

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.