George Mitchell: Play Zone

On the opener, "Inspiration," the rhythm section performs as a trio, with Mr. Sneed providing a well considered bass solo over one of the lightest cymbal touches you are likely to hear. The section plays as an intuitive unit, taking corners at 100 miles per hour. "Time Will Tell" adds guitarist Dan Balmer, whose simple, harmonic guitar lines offer a soft foil to Mitchell’s crystalline pianism. The same guitar-keyboards relationship translates into the jazz organ combo of "Let’s Get With It." The result is more style and less grease, with Mitchell showing his cerebral organ chops.

"Thank You, New York" is Mr. Mitchell’s resetting of "Body and Soul," and features Mitchell’s more contemplative side. Henry Mancini’s "Slow, Hot, Wind" features the languid tenor saxophone for Patrick Lamb weaving in and out of Mitchell’s B-3 musings. Again, nothing greasy here, only a refined sophistication. "All The Things You Are" is given the extreme makeover. Forget the famous Dizzy Gillespie/Charlie Parker introduction, Mr. Mitchell reboots the opening as Parker did with "Embraceable You" decades before.

Play Zone gets high marks for being a well-behaved and polite mainstream recording whose intelligence and precociousness make it very enjoyable listening.

For more information, visit OA2 Records and George Mitchell on the web.

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