Art Tatum: The Best of the Complete Pablo Group Masterpieces

Scott Yanow, in his characteristically informative liners, suggests that most musicians were simply scared to death to share the bandstand with the pianist. There's no question that Tatum had peerless technique; reportedly, Vladimir Horowitz, the great classical pianist, once examined Tatum's piano after a concert to look for "tricks." His sense of harmony was also unparalleled. Here he's matched with some of the greatest jazz artists of all time, who respond to his challenge in various ways. Eldridge and Webster basically stay out of his intricate way, sticking to the melody and emphasizing their tone; Carter is a bit bolder, Hamp uses some clever quotes, and Kessel is recorded more out in front, while DeFranco nearly matches his fluency in "Deep Night."

"Just One of Those Things" is the only trio track – and the CD's highlight. Tatum, unrestrained by the presence of another chordal player, goes all over the place in that immaculate way of his; his double-handed runs at this brisk tempo are nothing less than astonishing in their clarity and light.

This CD is a fascinating document, highly recommended for both fans and newcomers to Tatum's unique genius.

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