Virginia Mayhew: Phantoms (2003)

Dan McClenaghan

Senior Contributor since 2002

A lover of sounds, and the way they fit together.

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Published: June 25, 2003

Saxophonist Virginia Mayhew goes with the pianoless quartet on Phantoms, her third CD as a leader—a format that allows the space and freedom for the band to stretch out. They make the most of the opportunity.

Without the comping and chording of the piano, each of the four instrumentalists has to contribute to keeping the music alive and vibrant. The biggest drawback to this format is the potential for a lack of texture; but Mayhew's Phantoms has the intricate weave that comes from a band that has worked together. One word: arrangements—a solist steps out front, the backing unit shifts, changes gears, disperses or closes ranks, supplying nutrient rich undercurrents to the melody.

Miles Davis's Nefertiti keeps coming to mind, not because of the sax tone (Mayhew's is round and robust) or Ingrid Jensen's trumpet/flugelhorn sound, neither of which resemble the Shorter/Davis combo—but because of the subtle textures, the churning undercurrents.

The other dramatic impression is the emotion the band brings to the tunes. The sax/trumpet cries on Cole Porter's "I Love You" evoke a yearning, combined with an uneasy ambivalence concerning that thing called love; and "I'm a Fool to Want You" dredges up all the bitter melancholy associated with unrequited longing.

A nicely paced and balanced set, full of facinating reed/brass conversations. A breakout effort by Virginia Mayhew.

Visit Virginia Mayhew on the web.

Track Listing: The Theme/Phantoms, I Love You, Monterey Blues, I'm Fool to Want You, Babble On, Live Your Life, Facil, Fall, Dubai, Rhythm-A-Ning, The Theme

Personnel: Ingrid Jensen, trumpet and flugelhorn; Harvie S., bass; Allison Miller, drums and percussion; Virginai Mayhew, tenor and soprano sax

Record Label: Renma Recordings
Style: Straight-ahead/Mainstream