The Tim Davies Big Band: Epic

Two attributes can be noted with assurance — Davies is an accomplished writer / arranger, and he doesn’t hesitate when it comes to taking chances or rocking the boat. Even though he may tip it a bit too far to suit some tastes on “Iron Chef” or “Requiem,” the waters are far more placid and agreeable elsewhere, starting with the spellbinding blues, “Rubberneck,” which hustles merrily along behind shapely solos by organist Alan Steinberger, baritone Jennifer Hall, trumpeter Larry Williams and bassist Bart Samolis. The breezy “UnrepliKATIEble,” with Steinberger featured on piano and Kye Palmer on flugel, was written for Davies’ wife, Katie.

“Requiem,” whose unsettling sonic intrusions and out-of-control climax are somewhat offset by its charming melody and a well-ordered solo by flugel Jon Papenbrook, is followed by “JJJ Blues,” a medium-up charmer whose dynamic passages for brass and reeds underscore eloquent statements by guitarist Mark Cally and soprano Mike Nelson. Alto Karolyn Kafer weaves her magic on “I’ll Close My Eyes and See,” whose funky shuffle-beat carries the tune close to “smooth jazz” terrain, after which trombonist Jacques Voyemant and tenor Lee Secard burn rubber on the fiery “Tissues Aren’t for Cats” and Secard shines again on the plaintive “Elegy for My Unborn House,” whose hushed serenity is perfect complement to the album’s “Epic” finale, a sizzling Latin show-stopper that stretches Davies and percussionist MB Gordy and accommodates crackling solos by Papenbrook, Voyemant and alto Mike Acosta.

If one sidesteps certain parts of “Iron Chef” and “Chocolate Requiem,” what remains is about an hour or so of well-crafted and quite pleasurable big-band Jazz, and that’s more than enough to earn an endorsement. Suitable for listeners of almost every persuasion (but those whose nature is more staid than adventurous may be better served by starting with Track 2).

Contact: www.TimDaviesBigBand.com

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