Home » Jazz Articles » Album Review » John McLaughlin and The Free Spirits: Tokyo Live
John McLaughlin and The Free Spirits: Tokyo Live
This record will disappoint those hoping for a 1990's version of the Tony Williams Lifetime. Listeners hoping to hear a wailing, plaintiff, distorted guitar will be upset as well. McLaughlin's bluesy tone is somewhat warm and processed, and it's sometimes easily lost in the cascades of a busy B-3 barrage. But, the guitar chops remain vintage McLaughlin. He plays through and around and underneath the changes, intertwining his unison lines with DeFrancesco so cleverly that you have to work a bit to distinguish the two. (Although his unison playing is always impressive, McLaughlin's tone on this recording makes this a drawback.) His empathy with the supercharged Chambers is evident from the very first beat.
Tokyo Live offers several top-notch McLaughlin compositions, most notably "Vukovar," which make for an exciting and pleasing outing. Although the slow-moving duet "When Love is Far Away "featuring McLaughlin on guitar and DeFrancesco on trumpetdrags this album down a bit, the overall nightclub feel and musical energy still carry the day.
Although this remains the only true Free Spirits album released to date, the band did not reach its creative peak until its brilliant performance on the cut "Thelodius Melodius" from the 1996 recording The Promise.
Related link: John McLaughlin Reviews @ All About Jazz .
Track Listing
1 Nite Stand; Hijacked; When Love is Far Away; Little Miss Valley; JuJu at the Crossroads; Vukovar; No Blues; Mattinale
Personnel
John McLaughlin
guitarJohn McLaughlin- guitar; Dennis Chambers- drums; Joey DeFrancesco- B-3 organ and trumpet
Album information
Title: Tokyo Live | Year Released: 2002 | Record Label: Verve Music Group
About John McLaughlin
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






